"You die because you Think" seems the logic
wht more one can expect from a state where the major disocurse is on "How to
patronise voices"

Nalini Jameela's agency could be acceptable now to DC, thnks to the
neo-liberal acumen of Publishers, which the "pre"-liberal world could not
offer to NAlini (our avowed leftist who do don-quixotian exercise against
globalisation may not agree.. yea i do agree that don-quixote is too
complicated a character to freeze inot a ideological time zone)

But dileep, u didn't mention the harsh criticsms that ur paper recieved in
Hyderabad
that apart.. seems to be a quite intersting piece
so,
best wishes








On 10/12/07, Dileep Raj <[EMAIL PROTECTED]> wrote:
>
>
>   Sukumar Azheekkode alleged that it was Sudheesh and other friends who
> were
> responsible for the last press meet and death of M. N. Vijayan.
>   A peculiar Kerala logic that is. Even a 'respectable' man like MNVijayan
>
> is denied of his agency in what he did .
>    That reminded me of the way in which Kerala 'public'
> generally behaved to Nalini Jameela. Also, the way in which agency was
> denied to Rajeena,
> victim in Vithura case ...
>    Below I am pasting a small descriptive portion of a paper presented at
> Hyderabad Central university
> on October 4th [ in a seminar on 'Translation and Transformation"] this
> month by me.
> The paper was titled " Who is a writer? On Writings of Nalini Jameela and
> C. ayyappan".
>
>          Nalini Jameela came to the public attention in Kerala when her
> autobiography became a best seller.There was an uproar as DCBooks , the
> major mainstream publishing house in malayalam published it. Incidentally ,
> I was working as  editor in DCBooks then though not directly involved in
> that project.Nalin was a friend much before I joined DCBooks.
>         Everybody, [ rightists and feminists alike ] thought that her
> story was fiction and the real 'author' was the person who transcribed it.
> Surprisingly, Nalini hereself came to my home one day and complained that
> she was completely upset to see the published version.She wanted to revise
> it thouroughly.
>          Both of us went and spoke with Ravi DC [ incidentally that was
> her 'first' encounter with the publisher!!] . The actual situation was more
> complicated than we expected it to be.According to the agreement signed,
> the rights of her autobiography was with the person who transcribed it!
> Ravi DC agreed to bring out the revised version and Nalini got the rights
> back after paying 25,000 rupees out of her royalty to I. Gopinath, the
> transcriber.  One wonders  whether any other 'author' will be treated in a
> similar manner.In public's view, she can't have any political or
> heoretical dilemmas.
>          After reclaiming the right, we ie; five of us worked as a group
> and prepared the new version out of fresh interviews within one month. Her
> decision to rewrite the autobiography also created much controversy.
>          She mentions in her introduction to the revised versionn that she
> did try to write it herself, but couldn't move beyond a few sentences. She
> wrote this much in a notebook. ' I am Nalini. Was born at Kalloor near
> Amballoor. I am fourty-nine years old." This ended in her losing a client as
> he learned her real age after accidenatlly reading it!  Thgus lack of 'a
> room of one's own without cliends' foiled her attempt at becoming an author.
>
>         Couple of weeks ago, when the English translation was released in
> Delhi, Nalini respnded to questions about authorship in an interesting way.
> most of the reporters refused to accept somebody who gets her autobiography
> written by others as an authentic author.Answering questions about her
> next literary venture Nalini sarcastically replied: You just mentioned how
> can I be an author. Therefore ,it will take time for me to write the next
> book. Let me become an author first!!"
>
>
>
>
>
>
> --
> Dileep R  I  thuravoor
>
> >
>

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