Amar Kanwar lives and works in New Delhi, India. Emerging from the
Indian sub continent, his films are complex, contemporary narratives
that connect intimate personal spheres of existence to larger social
political processes. Finding a contextual relationship with diverse
audiences, Kanwar's work maps a journey of exploration revealing our
relationship with the politics of power, violence, sexuality and
justice. He is the recipient of the 1st Edvard Munch Award for
Contemporary Art from Norway,  a Honorary Doctorate in Fine Arts,
Maine College of Art, USA , the MacArthur Fellowship in India, the
Golden Gate Award ( San Francisco International Film Festival); Golden
Conch  (Mumbai International Film Festival ); The First Prize (Torino
International Film Festival, Italy ) ; Jury's Award (Film South Asia ,
Nepal ), Grand Prix at EnviroFilm, Slovak Republic and the Golden Tree
at the 1st National Environment and Wildlife Film Festival, Vatavaran,
Delhi.


Open Space, the civil society outreach initiative of the Centre for
Communication and Development Studies (CCDS), Pune, in collaboration
with the Film and Television Institute of India invites you to a 2 day
programme of documentary film screenings and an interactive talk and
discussion with noted independent Delhi-based documentary filmmaker
Amar Kanwar. The talk will outline the role of independent documentary
filmmaking in India as a media advocacy tool for social change.

PROGRAMME SCHEDULE

Sunday, October 28, 2007, 6.00pm to 9.00pm, at the Main Auditorium,
Film and Television Institute of India (FTII), Law College Road, Pune

Screening of THE LIGHTNING TESTIMONIES
Dir: Amar Kanwar, Duration: 1 hour, 56 min, 2007
Why is one image different from the other? Why does an image seem to
contain many secrets? What can release them so as to suddenly connect
with many unknown lives.

The Lightning Testimonies reflects upon a history of conflict in the
Indian subcontinent through experiences of sexual violence. As the
film explores this violence, there emerge multiple submerged
narratives, sometimes in people, images and memories, and at other
times in objects from nature and everyday life that stand as silent
but surviving witnesses. In all narratives the body becomes central -
as a site for honour, hatred and humiliation and also for dignity and
protest.

As the stories unfold, women from different times and regions come
forward. The film speaks to them directly, trying to understand how
such violence is resisted, remembered and recorded by individuals and
communities. Narratives hidden within a blue window or the weave of a
cloth appear, disappear and are then reborn in another vocabulary at
another time. Using a range of visual vocabularies the film moves
beyond suffering into a space of quiet contemplation, where resilience
creates a potential for transformation.

The screening will be followed by an informal discussion with the
filmmaker

Monday, October 29, 2007, 2.00pm to 7.00pm, at the Main Auditorium,
Film and Television Institute of India (FTII), Law College Road, Pune

Screening of a selection of Amar Kanwar's films followed by a talk cum
discussion with the filmmaker

2.10pm
A Season Outside
Dir: Amar Kanwar, Duration: 30 min, 1997
There is perhaps, no border outpost in the world quite like Wagah,
where this film begins its exploration. An outpost where every evening
people are drawn to a thin white line... and probably anyone in the eye
of a conflict could find themselves here.
A Season Outside is a personal and philosophical journey through past
generations, conflicting positions, borders and time zones.

3.00pm
A Night of Prophecy
Dir: Amar Kanwar, Duration: 77 min, 2002
Is it possible to understand the passage of time through poetry? And
if that were so even for one special moment then would it be possible
to see the future? The film travels in the states of Maharashtra,
Andhra  Pradesh, Nagaland and Kashmir trying to understand the  past,
the severity of conflict and the cycles of change. Through poetry  you
suddenly see where each and all the territories are heading to, where
you belong and where to intervene, if you want to. The different
poetic narratives merge together, allowing us to see a more universal
language of symbols and meanings. The moment when this merger in the
mind takes place is the simple moment of prophecy.

4.30pm
The Many Faces of Madness
Dir: Amar Kanwar, Duration: 19 min, 2000
The Many Faces of Madness is a short film that emerges from the
reality of ecological destruction and the appropriation of the commons
in India.

5.00pm
Henningsvaer
Dir: Amar Kanwar, Duration: 15 min, 2006
Henningsvaer is about being in exile and the thin line that can exist
between paradise and prison. Filmed entirely through glass, this film
is located on the famous cod fishing island of Henningsvaer in Norway
in the Arctic Circle.

5.30pm to 6.30pm
Presentation by the film maker outlining the importance of the
documentary film as a media advocacy tool for social change followed
by an open discussion





On Oct 19, 3:54 pm, "Ranjit Ranjit" <[EMAIL PROTECTED]> wrote:
> see docus in NDTV
>
> *The Many Faces of Madness*
> *a film by Amar Kanwar *
> **
> *will be screening on **NDTV 24x7*
> *in their new documentary series, Documentary 24x7 *
> **
> *on Thursday, October 18 at 9.30 pm. *
> *to be repeated on Sunday, Oct 21 at 1.30 pm *
>
> *The Many Faces of Madness emerges from the reality of ecological
> destruction in India. The film travels through different parts of the
> country, revealing glimpses of traditional water harvesting systems, mining
> and chemical pollution, community forest protection, displacement,
> deforestation, bio-piracy and coastal ecosystems. This award winning film
> brings people face to face with the intensity and impact of globalization
> and industrialization and passionately pleads for wisdom while facing these
> challenges. *
> * *
> *For feedback write to:*
> [EMAIL PROTECTED] <[EMAIL PROTECTED]>
>
> --
> Ranjit


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