http://economictimes.indiatimes.com/Opinion/The_great_depression/articleshow/3495638.cms

When American writer David Foster Wallace committed suicide it did not just
mark the death of a novelist. Rather, it perhaps was one of the first few
indications of the death of the American novel. Wallace, 46, best known for
his novel Infinite Jest was driven to taking his own life as he could not
cope with his demons, and a chronic
depression<http://economictimes.indiatimes.com/Opinion/The_great_depression/articleshow/3495638.cms#>that
lasted 20 years.

And this was a man who could write insightfully on any subject — from tennis
to boiling a lobster. Which makes one wonder why Americans have a high
incidence of depression, what with 10% of adults affected in a given year.
Naturally, it gets reflected in contemporary American writing. Much of what
comes out through American fiction are personal accounts of dysfunctional
families, depression-related disorders and frustrations.

Studies say that many of the disorders are being caused by recent
recession-related woes, low wages, rising unemployment and the trauma of
war. However, Wallace's condition was of a different kind. He was down
because he found it difficult to put his views across in a world that is in
love with advertisements, cheap entertainment, acquired and affected tastes
and sophisticated sarcasm. Above all, his primary concern was telling the
truth, and he feared he was not succeeding since he didn't see any signs of
change around him.

The contemporary American novel is guilty of encouraging all that he
derided. Which is why it is driving away readers from American prose. That
could also be the reason why readers the world over are turning to writers
from elsewhere, particularly in translations. In his book A Reader's
Manifesto author B R Myers argues that proof of the decline of American
prose is most visible in the disappearance of the long sentence and any
attempt to look for genuine stories.

He hopes that one day readers would stand up to the literary establishment.
He argues against the current trend of 'genre' writing which is replete with
pretentious prose ornamented with wordplay and clever turn of phrases. His
grouse is against stories mostly about an insular society. Now, that's
another symptom of the American illness!

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