Quite true, Afthab and Sreeni!

On Feb 9, 7:27 pm, "sreenivas v.p" <[email protected]> wrote:
> Dear Afthab,
>  
> Thanks for the mail. Reading Judith Butler is an intellectual pleasure .
>  
> Each and ever sentence of her book" Gender trouble " is worth reading .
>  
> As the lecture  happen to be in another country , may be we can read her 
> arguments after
>  
> the event .
> sreenivas
>  
>  
>  
>  
>
> --- On Tue, 9/2/10, Afthab Ellath <[email protected]> wrote:
>
> From: Afthab Ellath <[email protected]>
> Subject: Re: [GreenYouth] Re: The Institute of Women's Studies would like to 
> invite you to a lecture by Prof. Judith Butler:
> To: [email protected]
> Date: Tuesday, 9 February, 2010, 10:51 AM
>
> Sorry..
>
> Date:
>
> Wednesday, February 10, 2010
>
> Time:
>
> 2:00pm - 4:00pm
>
> Location:
>
> Birzeit University, Palestine, West Bank
> Actually what I found interesting was how she develops her own conception of 
> "precarious life" regarding  grievable/ungrievable life and death and how 
> this violence is suppressed and regulated through media...
>
> Afthab Ellath
>
> On Tue, Feb 9, 2010 at 8:54 AM, venukm <[email protected]> wrote:
>
> Aftab, will you please specify the name of the place/city/country?
>
> On Feb 9, 8:59 am, Afthab Ellath <[email protected]> wrote:
>
>
>
> > The Institute of Women's Studies would like to invite you to a lecture by
> > Prof. Judith Butler:
>
> > Precarity, the Assault on Gaza, or Whose Lives are Grievable?
> > Wednesday 10, 2010, 2:00-4:00 PM
> > Venue: Hall 101, Institute of Women Studies
>
> > Precarity, the Assault on Gaza, or Whose Lives are Grievable?
>
> > This lecture considers the relationship between media and war-waging
> > violence, and argues for the necessity to include forms of media and their
> > frames in the material of war-waging. Two cases are examined in developing
> > this argument: the photographs of torture in Iraq and their relevance to
> > war-waging, and the Israeli assault and siege of Gaza. It is argued that the
> > efforts of states to regulate the representation of their violence, through
> > media, are themselves acts of violence. Two sorts of violence are operative
> > in the work of media: the first suppresses the public comprehension of
> > violence, and the second regulates it, and by so doing justifies its
> > appearances. Both sets of practices are violent in that they construct the
> > public understanding of what is war, and therefore enable its waging; they
> > constitute a war on the senses and limit what is thinkable. The war on
> > perception cannot be separated from the material reality of war. Together
> > they result in maximizing the precariousness of targeted populations, as
> > opposed to recognizing precariousness as a shared condition. Differentiated
> > precarity marks a distinction between the ungrievable lives of targeted
> > populations, and the inherently grievable lives of others. Ungrievable lives
> > are those who cannot be lost, and cannot be destroyed, because they already
> > inhabit a lost and destroyed zone. To destroy them actively might seem
> > redundant or a way of simply ratifying a prior truth. One example of such
> > deadening before killing is Israel’s insistence that Palestinian children
> > operated as human shields for Hamas fighters during Israel’s assault on
> > Gaza. Such insistence is meant to convince us that these children are not
> > really alive, that they have already been turned to bits of armament, to
> > metal, to steal. Ultimately, the body of the child appears as nothing more
> > than a militarized metal, as no longer living, as already dead, and hence
> > ungrievable. If conceptual and visual frames transform the life of the
> > Palestinians into no life, whereby we must count the dead again and again,
> > those same frames make Israeli lives as the only ones that count as life to
> > be defended at all costs. And yet, the frames through which states wage wars
> > on our senses circulate and exceed states’ control. That loss of control is
> > one source of what can tentatively be called hope.
>
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