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From: Ghulam Muhammed <[email protected]>
Date: Sun, Jul 25, 2010 at 1:23 PM
Subject: [humanrights-movement:2778] Unveiling the truth - Sehba
Farooqui - The Indian Express


http://www.indianexpress.com/news/unveiling-the-truth/651044/0


Unveiling the truth

SEHBA FAROOQUI Tags : sehbafarooqui, column Posted: Sat Jul 24 2010, 03:29 hrs

It would not be entirely correct to assume that the animated
discussion these days on the subject of the burqa necessarily reflects
a concern for the rights of Muslim women. The current discourse partly
serves to reinforce the stereotype of the “backward” Muslim.
Nevertheless, this has emerged as a controversial issue wherein,
ultimately, conservative and right-wing agendas are being pursued. The
rights of women have no place in these agendas.

It would be worthwhile to view the issue of the burqa within a larger
social and historical context. Patriarchal societies, across time and
space, have had a long tradition of making women conceal their faces
(especially in public places or in the presence of “strangers”)
through the use of the veil. The nature and style of the veil has of
course varied from society to society. There are references to the
veil for instance in Shakuntala, and to its use by women of the
aristocracy in Europe in the nineteenth century, in Tolstoy’s Anna
Karenina. In several parts of north India even today the custom of
covering the face with pardah or ghungat is quite widespread, and not
confined to any particular religious community.

The use of the typical robe-like burqa covering the entire body from
head to ankle, with two small openings for the eyes, seems to have
become prevalent in parts of the Indian subcontinent only during the
19th century. There are hardly any visual representations of this form
of the burqa earlier. By the beginning of the 20th century this type
of burqa was worn quite extensively by Muslim women in large and small
urban centres. There was a tendency for older women to wear a heavy
white-coloured burqa while relatively younger women wore a lighter
black burqa . Then, by the 1960s and early 1970s young Muslim women,
particularly those who had had access to higher education, often
preferred not to wear the burqa — usually covering their heads with a
dupatta (the portrayal in Mere Mehboob notwithstanding). In other
words, not wearing the traditional burqa had become quite acceptable
among several sections of Muslims in India.

This trend was not specific to India alone. In fact during the course
of the 20th century, an increasing number of Muslim women in several
countries of Asia and Africa (countries which had a predominantly
Muslim population) did not wear any kind of burqa or veil. Prominent
among these are Turkey, Algeria, Tunisia, Palestine, Lebanon, Iraq and
Egypt. Even in Indonesia and Malaysia one mainly comes across a
covering for the head. In our subcontinent, we are familiar with
images of Benazir Bhutto, Khaleda Zia and Sheikh Hasina covering their
heads with a dupatta or pallu. Thus, one cannot regard the use of the
traditional burqa as a universal practice in Muslim societies.

The political developments of the 1980s and 1990s in the Indian
subcontinent contributed to a revival of the burqa, or at least a
growing emphasis on its use in the way in which Islam was perceived by
some sections of Muslim societies. To some extent this trend was set
in motion after 1979, when the mass upsurge against the hated regime
of the Shah of Iran took a right-wing turn and culminated in the
establishment of a conservative religious orthodoxy in that country
with far-reaching ideological consequences. The more important
development was the coup of Zia-ul-Haq in Pakistan. This resulted in
an ultra-reactionary regime which was fully backed by the United
States. Against the backdrop of the events in Iran, which more or less
coincided with Soviet military intervention in Afghanistan in December
1979, the Zia regime became the main instrument of the United States
to thwart progressive and democratic movements in this region.

In Pakistan itself, Zia unleashed a reign of terror against all
progressive and democratic forces, brutally suppressing the rights of
the people. In order to provide an ideological basis for his actions,
he attempted to reshape Islamic practices in a manner that would suit
the political agenda of his military regime and that of the US. Women
obviously became the main victims of this reinterpretation, which in
its extreme form was manifested in the Hudood Ordinances of 1979.
These measures were a major setback for the movement for women’s
rights in Pakistan, and had an adverse impact on the entire
subcontinent.

Overlapping with these developments was the growing communalisation of
Indian politics during the 1980s and 1990s. The phenomenon is too well
known to require elaboration. Suffice it to say that in this situation
the Muslim minority in India felt increasingly threatened and
insecure. The riots which followed the demolition of the Babri Masjid,
particularly the anti-Muslim pogrom in Mumbai, led some sections of
Muslim society to adopt, in a very forceful manner, specific modes of
dress and other outward symbols as an assertion of identity. In
Mumbai, for example, quite a few college-going girls from affluent
Muslim families took to wearing the burqa. This trend, which is also
the result of processes at work in the neighbouring region (as well as
internationally since 9/11), suits the agenda of conservative sections
from which it finds support and encouragement.

The issue of the burqa cannot be understood without referring to the
larger context. At the same time it needs to be noted that the current
preoccupation with it in the media is essentially due to the attempt
by the Sarkozy government in France to ban the burqa in public places.
The right-wing Sarkozy government is not a great champion of women’s
rights, and the politics of burqa in France has to be related to the
complex situation in that country rather than using it to label
Muslims in India as being generally backward, or as a pretext to push
Muslim women into seclusion.

The writer is the general secretary of the All India Democratic
Women’s Association, New Delhi

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