http://scroll.in/article/716486/Documentary-on-AAP's-2013-Delhi-campaign-is-a-chronicle-of-a-crisis-foretold

Documentary on AAP's 2013 Delhi campaign is a chronicle of a crisis foretold
Lalit Vachani's 'An Ordinary Election' looks at Shazia Ilmi's poll campaign.

Nandini Ramnath
Yesterday · 12:45 pm

It's perhaps inevitable that a film about the Aam Aadmi Party's 2013
election campaign for the Delhi assembly will mean many things for
many people: archival documentary, record of history in the making,
lesson in modern campaigning techniques, and chronicle of a crisis
foretold.

Lalit Vachani's An Ordinary Election was shot before AAP won Delhi for
the first time, gave it up after a 49-day term on dubious moral
grounds and retook the capital this year. It was completed before
party leader and Delhi Chief Minister Arvind Kejriwal went to
Bangalore to find a cure for his hacking cough and before party
heavyweights such as Prashant Bhushan and Yogendra Yadav publically
aired their dissent. It was in the cans long before the crucial
meeting of AAP's National Council was called on Saturday to decide the
fate of Bhushan and Yadav, who have been removed from the party's
Political Affairs committee.

An Ordinary Election is rooted in a specific moment, and although
Vachani had no way of knowing it then, it views the race for Delhi
over the head of the wrong horse. Vachani chose to follow former
journalist Shazia Ilmi's campaign for the RK Puram constituency from
the start to the finish, recording the experiences of the candidate
and party volunteers. Ilmi lost the election by 327 votes to a
candidate from the Bharatiya Janata Party. The year after shooting was
completed, Ilmi, to everyone's surprise, decided to quit AAP,
complaining of the lack of inner-party democracy, and signed up to the
BJP.

"There was no way of knowing then that Shazia was not going to be with
the party," Vachani told Scroll.in. Ilmi is undoubtedly convincing as
she magnificently works the crowd. "I was meant to be here," she
declared about her association with AAP. "I wasn't meant to be
anywhere else." An Ordinary Election is set to be screened in Delhi on
March 30 and 31, at the Films Division in Mumbai on April 4, and in
Kolkata on April 6 and 7.

AAP equals drama

Ilmi's campaign is filled with ups and downs, advances and setbacks.
The newly formed party grapples with the challenges of raising funds,
volunteer logistics, media coverage and booth management. Campaign
managers are hired and fired; voters are cynical and dismissive; Ilmi
deals with the aftermath of a sting operation. "The film has archival
value, it is a record of a new party starting out, of how they
construct the aam aadmi as they go along," said Vachani, whose
previous work includes The Boy in the Branch, The Men in the Tree
(both exploring the ideology of the Rashtriya Swayamsewak Sangh) and
In Search of Gandhi, which recreates the Salt March of 1930.

Vachani and his partner Srirupa Roy were initially considering a
documentary on new political formations and the Lok Sabha election of
2014. "It turned out that we didn't get our big grant for our film on
the national election, but we had already started our research,"
Vachani said. Three constituencies in South Delhi were identified, and
RK Puram was chosen because, among other things, Vachani had direct
access to Ilmi through a friend. Budgetary restraints also meant that
Vachani had just one crew to film the election.

"If I had got the grant, the plan would have been to study a couple of
more campaigns by other parties, or look at AAP in the Lok Sabha
election," Vachani said. "However, I am glad it turned out this way -
the film would have been diffuse if we had started looking at other
political formations."

An Ordinary Election was shot in phases between August and December
2013. Vachani and his crew had unfettered access to the AAP
functionaries, including the ousted campaign managers and a
shop-keeper named Mohan Agrawal who swears by the party's mission to
root out corruption but is kicked out after the election has ended.
"The access was incredible, they were very open to being filmed, and
in fact they were so porous that I knew of spies coming in and getting
their databases," said the 50 year-old filmmaker. "It was quite
endearing and I was disarmed. I could have been from a rival party
misusing the footage."

The Aam Aadmi Party's meteoric rise to prominence and power has
consumed journalists and political scientists and has already inspired
another documentary, Proposition for a Revolution, in which filmmakers
Khushboo Ranka and Vinay Tewari follow the party's leadership from
their heady early days in Pragati Maidan in 2011 to their quest to
form a government in the 2013 Delhi election. "Proposition for a
Revolution is a view of the ground from above, with incredible access
to Kejriwal and the top leadership, while I have the perspective from
below," Vachani said. Both films focus on the build-up to the first
Delhi election, and do not look at AAP's confounding victory in the
February elections.

Lessons from 2013, rather than 2015

In the absence of an analysis of how AAP convinced its supporters and
detractors to back it the second time round, An Ordinary Election
remains an incomplete narrative of a new party's growing pains. "I was
in Germany and I wasn't able to film the second election," Vachani
said. (He teaches courses on political documentary and documentary
theory and production at the Centre for Modern Indian Studies at the
University of Göttingen there.)

"There was the danger of the film going on and on, but I wanted it to
be self-enclosed, and the story of this campaign with an epilogue at
best," Vachani added. "The logic of carrying on with the film was that
it was talking about events as they were happening. I was particularly
interested in the politics of swaraj, the way it was used by leaders,
volunteers and candidates. I wanted to end the film with Shazia's
voice talking about swaraj and why she left the party."

It's possible to view An Ordinary Election as a cautionary tale of
AAP's systemic flaws. Its motley bunch of leaders and volunteers
contribute to the party's rainbow character, but also precipitate the
frequent appearance of dark clouds. Footage that failed to make the
final cut of the documentary includes Kejriwal's speeches in which he
repeatedly praises the dedication of Vinod Kumar Binny, who followed
Ilmi after AAP gave up power in Delhi in 2013, Vachani said.

AAP's inner-party democratic culture, which supposedly distinguishes
the outfit from its rivals, has blown up in the party's face with the
recent battles between Kejriwal on the one hand and Prashant Bhushan
and Yogendra Yadav on the other. An Ordinary Election provides some
ideas about why AAP is unique, as well as why it will be troubled for
some time by its autonomy-loving members who are united by a desire to
rehaul the political system - but little else. Said Vachani, "The
party is by no means a finished product."




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