I/II.
http://scroll.in/article/764395/what-the-latest-sahitya-akademi-resolution-tells-us-about-the-right-to-dissent

OPINION

What the latest Sahitya Akademi resolution tells us about the right to dissent

The writers remind us that the task of dissenting is never done.
Rohit Chopra  · Today · 08:30 am

For a country that never fails to remind itself and the world that it
is the world’s largest democracy, we seem to be singularly lacking in
one of the qualities essential to a truly democratic society: an
appreciation of the principle of dissent. In recent times, nowhere has
this lack been more obviously visible than in the curious backlash
against the artistes who have surrendered their Sahitya Akademi
awards.

Now numbering close to 40, the artistes who have returned awards write
and perform in a number of Indian languages, and include in their
distinguished ranks Nayantara Sahgal, GN Devy, Keki Daruwalla, and
Krishna Sobti. Others, such as Shashi Deshpande have resigned from
positions in the Akademi.

As Ramachandra Guha pointed out in a column recently, these writers
are not necessarily aligned with any particular political party. A
host of other Indian writers, thinkers, and intellectuals, such as
Amitav Ghosh and Vikram Seth, have strongly supported the right of the
artistes to signal their dissent through their act.

Three related protests

The returning of the awards by the writers signals three related acts
of protest.

First, against rising intolerance in the country, seen, for example,
in the chilling murder of Kannada scholar MM Kalburgi and in brutal
attacks on religious minorities.

Second, against the Sahitya Akademi for refusing to take a strong
stand on the Kalburgi assassination and the general climate of
hostility against writers in the present moment.

And, third, against the Indian government for its inaction and silence
on both these counts.

The act has triggered angry denunciations by politicians in the
government, accusations by right-wing columnists of a selective
“hatred” of the Modi government, mumblings about the double standards
of the writers by disgruntled celebrities such as Anupam Kher, and
incoherent tweets by Censor Board member Ashok Pandit.

The particular substantive objections to the writers notwithstanding,
the principle of dissent and the right of the writers to dissent has
completely been set aside in each of these objections. The same
erasure can also be seen in the flood of tweets by the Indian
right-wing on Twitter.

The ease with which the fundamental right of dissent – which belongs
not just to Indian writers but to all Indian citizens – is ignored and
deemed irrelevant reveals something fundamental about the nature of
the social context in which the protests are occurring.

Knowing their place

It is a reflection of the deep-seated social conservatism of Indian
society, expressed as a contract, tacit or explicit, that every person
should know their place in the great chain of Indian being.

Writers, in this Indian scheme of things are meant to write and tell
stories, not to protest. Each writer is meant to illuminate his or her
little corner of the world, based on his or her experience, in his or
her chosen language, for his or her audience. As long as they don’t
offend the religious sensibilities of their own or other communities
or speak up against the nation.

This sentiment is perfectly summed up in the words of Bharatiya Janata
Party politician Vijay Goel: “Writers should be concerned with their
pen only, otherwise giving awards would be stopped.”

Differential privileges

Indian politicians, in contrast, have the licence to say the most
outrageous things in the name of politics, because, well, this is what
they do, what we expect, and endlessly put up with. We forgive the
most offensive statements by politicians, the ugly entitlements of
Very Important People culture, and allegations of crimes – heck, we
even forgive pogroms.

The principle of differential privilege shapes any number of
assumptions about which kind of Indian is entitled to exactly what.

Thus Indian hearts, regardless of where their political sympathies
lie, bleed when a film star might have to serve time for involvement
in a crime leading to deaths but the same hearts remain indifferent to
the ordinary undertrial languishing in jail on the flimsiest of
charges without the possibility of bail.

It is considered perfectly legitimate for a banker to travel first
class to India on the Indian government’s tab, but woe betide Amartya
Sen if he at 81 does not want to suffer the abominations of economy
class air travel on a flight from the United States to India.

It is why Indians who talk a good game about caste, class, and
religious equality see no contradiction between holding forth about
the evils of apartheid South Africa without once asking the "drivers"
and "servants" working for them to sit on their living room sofas.

The greatest transgression of the writers, then, has been to exceed
their brief as Indians, to speak out of turn. This explains the
curious paradox, pointed out by Mitali Saran, of any numbers of
Indians raging against unpatriotic writers even as they insist
simultaneously on the irrelevance of the same ungrateful bunch.

Perceived disrespect

With the afterglow of the Modi honeymoon fading away, the heresy
committed by the writers converges with a perceived disrespect for
India, with India itself deemed indistinguishable from the
larger-than-life, well-coutured, globe-trotting personality of Modi.
If India was Indira in the context of the non-aligned world, on the
global stage India is Modi, all tricolour and Facebook, both pizza and
pizzazz, at once technology and tradition.

In the conservative Indian imagination, the writers returning awards
are thus guilty not just of behaving badly at home but of throwing
tantrums in public too. We are now in the familiar Indian territory of
besmirching honour and naak katwa di, of betraying family, community,
religion, or nation.

This, of course, is democratically applied across the board in India,
from the child who does not clear some competitive exam to the son or
daughter who chooses their own life partner, from the H1B holder who
gets laid off in the US to the middle-aged vegetarian man who gets
caught out for eating a mutton roll at a roadside stall.

We should thank the writers all the more then. In addition to their
courageous gesture of protesting the attacks on minorities and
writers, and the sloth of a cynical government, they remind us there
is much, much more we need to protest about. And that the task of
dissenting is never done.

In the day since I initially wrote this article, the Akademi has
finally responded to the protests. In a clear statement it has
denounced the violence against writers and affirmed its commitment to
free speech, also requesting the writers to take back their awards.
For whatever it is worth, it has also recognised that the right to
disagree and dissent, whatever its object, is inherently precious to a
democracy.

II.
http://scroll.in/article/764401/take-back-awards-sahitya-akademi-urges-dissenting-writers

FREE EXPRESSION

Take back awards, Sahitya Akademi urges dissenting writers

The full text of the statement by the Akademi's executive board
criticising attacks on writers and reiterating its commitment to free
speech.
Scroll Staff  · Yesterday · 06:41 pm

At its eagerly awaited meeting on Friday, the executive board of the
Sahitya Akademi strongly condemned the murder of Kannada writer MM
Kalburgi on August 30 and affirmed the right to free expression in
India. In a statement issued by president Vishwanath Prasad Tiwari and
vice president Chandrashekhar Kambar, the committee asked the Central
and state governments to bring to book the culprits responsible for
the murders of Kalburgi and other intellectuals, and to ensure the
security of writers.

So far, more than 35 writers across the country, representing several
linguistic groups, have returned their Sahitya Akademi awards in
recent weeks to protest what they perceive as the rising tide of
intolerance and the shrinking space for free expression. More writers,
notably Vikram Seth and Anita Desai, had threatened to return their
national awards unless the autonomous Akademi issued a firm statement
criticising the attacks on writers.

In its statement, the Akademi also asked dissenting writers to take
back their awards.

Here is the full text of the statement.
"The Executive Board of the Sahitya Akademi, at its special meeting on
23rd October 2015, is deeply pained and strongly condemns the murder
of Prof MM Kalburgi and the other intellectuals and thinkers. As the
only autonomous institution of Indian Literature in all its
diversities, the Akademi firmly supports the writers’ right to freedom
of expression in all the languages of India and condemns any atrocity
against any writer anywhere in the country in the strongest of words
and asks Governments at the center and in the States to take immediate
action to bring the culprits to book and to ensure the security of
writers now and in the future. The spirit of plurality that Indian
culture embodies has been a much sought after ideal for the rest of
the world. This is what should be protected. Sahitya Akademi demands
that Center and States maintain the ambience of peaceful coexistence
in the societies and it urges various communities of our society to
put aside the differences on the grounds of caste, religion, region
and ideologies.

Sahitya Akademi is an organisation of writers for writers, an
institution guided solely by writers. All its decisions including
those on the awards are made only by the writers. In this context, we
request the authors who returned awards or have dissociated themselves
with the Akademi to reconsider their decisions.

Akademi’s Executive Board believes that the cooperation of writers
should strengthen the autonomy of the Akademi which has been held high
in the 61 years of its history.

This meeting of Executive Board notes that upon the assassination of
Prof. Kalburgi, the President of the Akademi had telephonically
requested the Vice-President to contact Prof. Kalburgi’s family and to
convey the sense of pain and outrage felt by the Akademi.

Within hours of the murder of Prof. M.M. Kalburgi, the Vice-President,
the Convener of Kannada Advisory Board and some eminent Kannada
writers strongly condemned the dastardly murder at a public meeting.
Within days, they accompanied the family members of Prof. Kalburgi to
meet the Chief Minister of Karnataka to ask for immediate
investigation into the crime and protection for the family. The
Akademi held a special public condolence meeting on 30th September
2015 at Bangalore in honour of Prof. M.M. Kalburgi where a large
number of eminent writers condemned the assassination and paid their
tribute to him.

In following weeks, many other language Conveners issued, on behalf of
the Akademi, public statements condemning the incident and demanding
justice. In Srinagar, the Convener of Kashmiri Advisory Board along
with Conveners of six languages publicly condemned the murder. In
Hyderabad, Telugu writers, at the behest of the Convener of Telugu
language, issued a public statement of strong condemnation of the
assassination.

***The Executive Board reconfirms this condemnation of the
assassination of Prof. Kalburgi and records its own sense of pain and
outrage at the atrocities against and the murders of authors in the
past. It also condemns the violence against fellow citizens from
different walks of life.*** [Emphasis added.]

The Executive Board unanimously endorses the diligent and vigilant
leadership provided by the President to keep the dignity of the
Akademi intact and uphold the tradition and legacy of the Akademi."
-- 
Peace Is Doable

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