<< I'm doing some research on the german "Cranach" dress style. I would love
to hear thoughts, ideas, websites etc. for a. Bodice: attached or not, b. is
there a band of fabric from shoulder to shoulder at the back that is edited
out of most paintings (But is often seen in the German housebook for
example). c. closure in the side front? d. corset or no?>>


Ooh boy, can o worms here we come;)

Seriously this style of dress is not as easily understood as many because we
have to rely so much on artwork of the time, which as anyone knows is not an
infallable method of  understanding fine detail;)

That said, there is a lot we can say about the Saxon court style based on
paintings and woodcuts.

Closure: I have never seen any example of back fastening, nor indeed a
centre back seam in any of the artwork I've seen*. At least not prior to the
take up of Spanish influenced dress of the later part of the century.
Closed front bodices probaly closed up the side, and not side back. Again I
have never seen evidence of side back seams in any of the paintings of
German (or Swiss, or Austrian etc) women. Nor woodcuts either. Side seams
are nearly invisible to us due to arms usually hiding that area. So it's
mostly conjecture at this point.
The open fronted bodices with lacing are probably fastened using the lacing
and either hooks and eyes at the top or pins to keep the bust section in
place.
As for where the skirt fastens... either at the side front where the front
of the bodice ends or at centre front. The Mary of Hungary dress which is
contemporary with this style (and resembles it in a very toned down manner)
appears to fasten at the centre front of the skirt. There is a centre front
seam, so it makes sense to have the fastening there.

Attachment of skirt: yes, sewn to the bodice. There are a few paintings
where it seems that the gurads of the bodice extend over the skirt, but I'd
like to see the paintings in person to see if there is a reason for it
(restoration etc)

Band: I honestly have no idea what you are referring to here. (Use of terms
issue here rather than what we are seeing?) There are no bands edited out of
paintings (restored? Omitted by the painter?) that I have heard of. The only
bands I can think of in the Master of the House Book appear on the front of
male and female garments. They are more like lacing rather than bands as
well.

There is the brustfleck which is worn on somehting that is widely argued
about;) The decorative band that sits on top of the (usually) white section
above the lacing at the front is what I am referring to.

Corsets: well..... there is a woodcut that shows somehting that looks
awfully like a (softly) boned garment like that worn by Eleanora di Toledo.
It hooks up the font and shows equidistant vertical lines, as one would see
in boning channels. However the garment is rather soft, so obviously not
boned with anything rigid. It may even be simply quilted.
In Textiler Hausrat there is mention of Mieder (translated as corsets) but
as I don't have the book so I can't say how early this term is used, or if
it's a term used by the author (the book is in German.)
There are also examples in painting of what appear to be sleeveless bodices
(hard to find the skirts so it's hard to say if it's just a bodice or a full
length undergarment.)

I've tried a pair of bodies, kirtles and a few self-supporting German
dresses. I prefer the ease of a single layer (self supporting) but find it
hard to adjust down when I stretch the dress with wear;) Or fom weight loss,
which happens at each event longer than a day. I'm also heading into later
period and am having to work out a few odd layers of a regional style
dress;)

I would heartily recommend underskirts if you don't go for a kirtle type
garment, the skirts in Saxon Court dresses tend to have a fair bit of flair
at the hem which do need some support.

michaela de bruce
http://costumes.glittersweet.com
http://frazzledfrau.glittersweet.com


* I have seen a tapestry (well photo of one) that shows funky back lacing,
but it appears ot be decorative rather than finctional.



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