In a message dated 2/19/2006 11:33:40 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

The  yellow doesn't go with it very well, 


**************
 
I disagree...in a period context. In ages where there were limited dye  
colors and limited choices of what was available, things weren't so  
matchy-matchy 
as today. Our aesthetic is influenced by the fact we  have hundreds of vendors 
at our finger tips.
 
I don't mean that in the past they would just "settle" for chrome yellow  
with a bright salmon because that's all they could get. No I don't mean that. I 
 
mean, they LIKE the two together, maybe because of both of the colors powerful 
 statement. You see these types of combinations everywhere up until the 20th  
century. [and even now for those who don't want to be "safe"]
 
And of course the amount and placement of color matters. As Schiaparelli  
knew, a smattering of hot pink with a sea of navy can be very effective.
 
In school we did this wonderful project....my fave! [I know I've described  
it before]. The "ugly Color" project. We had to pick 2 colors that just looked  
awful together [the instructor had to approve their incompatibility]. Then we 
 had to fins the 3rd color that, put with the other two, made them all work  
together. There is always one. Then we had to do a design with these 3  colors.
 
There is a 3rd color that will make the Yellow and Salmon look dangerous  but 
divine!
 
Here are some dangerous combinations from one of my fave artists, Zurbaran,  
who I just happen to be researching lately. One is very close to the colors we 
 have here.[And these reproductions seem to be muted. The real ones have more 
 vivid color.]
 
 
_http://www.wga.hu/frames-e.html?/html/z/zurbaran/2/casilda.html_ 
(http://www.wga.hu/frames-e.html?/html/z/zurbaran/2/casilda.html) 
 
_http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=603_ 
(http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=603) 
 
 
 
 
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