In a message dated 4/25/2006 4:21:11 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

And  working in the other direction, often the clothing is part of our clue
to  identification.


********************
 
This relates to theatre. Since Greek theatre [and no doubt before] the  
costume is a symbol. It tells you who the character is before anyone has opened 
 
their mouths. So too with Roman comedy and on into Comedia del'arte. The  
instant you see the standardized costume, the audience knows if it's the old  
father 
[Pantalone], or the sad love lorn character [Poirot], or the clever  servant 
[Harlequino], or a Colombina or Zerlina or the Capitano ....and so  on.
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