At 14:06 11/12/2006, you wrote:
Two questions:
Waugh suggests Swiss belts for some of the mid 19thC dresses. Any clue as to what these looked like?

Could this be the same as I have heard called "Swiss Waists" in the U.S. That is a belt that is shaped to an upward and downward facing point at the centre front.



I am working out the problems of interpreting the Darnley Dress for my QEI 14" doll.

Do you mean the "Ditchley" dress?

At first, I thought I was looking at a sleeveless coat
be set to give a cape effect. On closer examenation, I see that this is actually a hanging sleeve...born out by Waugh, Arnold, and Hunnisett. I have worked out the shape and cut but am having problems with the set. In order for the unity of the skirt , bodice and sleeve that bear the ornamentation, I can only achieve the look by inserting the hanging sleeve outside in. This means that the lining will actually be the outside fabric.

Hunnisett suggests that the armhole and the sleeves are both finished, (bound is easiest) and then the sleeves are whipped in by hand. That way you can put the hanging sleeve on first, and the dress sleeve inside it. I have done double sleeves like this and it works with no difficulty.


Has anyone else attempted this dress "for real"? I have turned the backside of the shoulder area backwards so the gathers of the shoulder look like the painting...and will tack them downover the silk lining, but the lining is still exposed in all its plainess. I have been unable to find any explanation of how this was done.


Suzi

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