HI, There is a small publication from (of all places) Dover Press, the people who make all those small craft-y books. I bought one called " Charted Peasant Designs from Saxon Transylvania". The front part of the book has a 3 page introduction to the contents of the items included, as well as photograhs of actual pieces . There is also a bibliography and a map to show where the stiches and designs originated and travel to Transylvania and the time element. He talkes aboutt he earlier work of the 12 th century Saxon women "precision of stitch,alike on both sides of the linen in pattern and clearness.' It's a nice little book, the author is Heinz Edgar Kiewe , costs $5.95 , Dover 0-486-23425-8 and I got mine thru Wal-marts online book store Also available from the same Dover books people are "Blackwork Embriodery" by Elizabeth Gedded and Moyra McNeill Dover 0-486-2324-5-x and "Blackwork" by Mary Gostelow Dover Needlework Series 0-486-40178-2 . Both books have brief histories of the work and Photos of art work showing Blackwork and extant pieces ,museum and private collections. they are all inexpensive book ,have nice photos and actual chartes for the stiches. They maybe 'Kindergarten" books for what you need, but they are worth the look Melody Robin Netherton <[EMAIL PROTECTED]> wrote: I am not an embroiderer, and my knowledge of medeival embroidery is skeletal -- enough to recognize situations in which it occurs, and to know when to go to others with a question.
This is one of those times. I'm talking with another researcher who's working with a text reference to embroidery. One possible interpretation of the reference would be that it describes embroidery that appears on both the inside and outside of the fabric. To me, that sounds like something on the line of blackwork, designed to be neat and finished looking on both the right and "wrong" side, and thus suited to things like cuff and collar edges that might be turned out. So, questions: 1. Is my memory correct -- is this indeed a characteristic of blackwork? Or any other kind of historic embroidery style? 2. Is this characteristic actually documentable to any non-modern examples? (I know it's easy to assume that a standard definition of a technique must date back forever, but it might be done differently in different periods.) If so, how early? I mentally associate blackwork in particular with the Tudor period, but the reference in this case is about 1400. 3. Can anyone point me to a published source that would document the use of such a "two right sides" technique to a medieval artifact? Ultimately my friend would like to have a citation that shows the use of such inside/outside embroidery from around 1400. Doesn't have to be blackwork. Failing that, it would be helpful to have a citation of such a technique from a later period, even if it's not c. 1400. Many, many thanks, as always, to the wonderfully helpful people on this list. I am always amazed by the breadth of knowledge represented here. --Robin ========================================================== Robin Netherton Editor, Medieval Clothing and Textiles [EMAIL PROTECTED] voice: (314) 439-1222 // fax: (314) 439-1666 Life is just a bowl of queries. _______________________________________________ h-costume mailing list [email protected] http://mail.indra.com/mailman/listinfo/h-costume --------------------------------- Moody friends. Drama queens. Your life? Nope! - their life, your story. Play Sims Stories at Yahoo! Games. _______________________________________________ h-costume mailing list [email protected] http://mail.indra.com/mailman/listinfo/h-costume
