The other answers you've gotten are all useful.  Here's my 2 cents.  The method 
book will be useful, but has a lot of information that won't apply to the 
minnesinger.  
 
 When I said "arrange the tangents for correct tuning", I was talking about 
getting the intervals between notes correct for each mode.  For example, the 
modern major scale (do, re, mi, fa, so, la, ti, do in the USA, movable do) has 
intervals of whole step, whole step, half step, whole step, whole step, whole 
step, half step.  To play in a modern minor scale, where the third and seventh 
are flatted (whole, half, whole, whole, whole, half, whole), you need to adjust 
the tangents for that scale.  You'll be changing the tangents tune by tune more 
than people that play a chromatic instrument.  On the other hand, there are 
tunes that are a lot easier to finger on a diatonic instrument tuned in the 
right mode than on a chromatic instrument.
 
 Hope that, along with the advice already posted about tuners and such, helps.
 
 -- 
 Dennis Sherman                          
 Chicago, IL, USA
 
 ----- Original Message ----
 From: "Solberg, Bennett J LCDR NMIMC" <[EMAIL PROTECTED]>
 To: "[email protected]" <[email protected]>
 Sent: Thursday, January 25, 2007 11:58:25 AM
 Subject: RE: [HG] the new guy
 
 Dennis,
 I am wondering how one learns to "arrange the tangents for correct tuning"
 irt the Minnesinger that I have coming my way.  I am thinking of ordering
 the Hurdy Gurdy Method Book.  Do you think this necessary given the relative
 simplicity of this design?
 
 Bennett
 
 LCDR Bennett Solberg, PhD, FACHE
 -----Original Message-----
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Dennis Sherman
 Sent: Monday, January 08, 2007 9:39 AM
 To: [email protected]
 Subject: Re: [HG] the new guy
 
 I've got a Kelischek Minnesinger that I built from a kit.  (He doesn't offer
 the kit any longer.  Despite the fact that I consider the design of the kit
 to be a miracle of nearly foolproof construction, "nearly" foolproof isn't
 the same as foolproof, and he appa
nued the kit.)
 
 It is designed as a diatonic instrument, as differentiated from chromatic.
 In piano keyboard terms, it only plays the white keys.  More accurately, it
 can play in any of the classical church modes by arranging the tangents for
 correct tuning, but it does not play accidentals.  That's why it only has
 the one row of keys.  Instruments with two rows can play sharps and flats.
 
 The question about style of music you want to play is critical here -- the
 Minnesinger does not have a chien, the thing that produces the rhythmic
 buzzing sound.  If you're interested in playing dance music of any type, the
 Minnesinger is not for you.  On the other hand, if you want to accompany
 yourself while singing troubador songs unamplified, it may be ideal.
 Instruments with a chien are likely to be too loud for an unamplified voice
 to be heard clearly.
 
 Hope this helps.
 
 -- 
 Dennis Sherman                          
 Chicago, IL, USA
 
 ----- Original Message ----
 From: "Solberg, Bennett J LCDR NMIMC" <[EMAIL PROTECTED]>
 To: [email protected]
 Sent: Monday, January 8, 2007 7:31:31 AM
 Subject: [HG] the new guy
 
 Hello everyone. 
 
 Please excuse my ignorance but I am getting confused regarding all the
 different styles of HG and configurations.  I am looking to start and found
 one that is "reasonably" priced for a beginner.  It is a Minnesigner model
 made by George Kelischek in North Carolina.  My confusion lies in that it
 has only a single row of keys.  I understood that HGs have two rows similar
 to that of a piano keyboard.  I have also been asked what kind of music I
 wish to play as it makes a difference to which style of HG to purchase.
 Any
 suggestions would be very much appreciated.
 
 Warmest regards to 
 perations Analyst
 Naval Medical Information Management Center
 8901 Wisconsin Avenue, BLDG 27
 Bethesda, MD 20895
 Work: 301-319-1121
 Cell:   301-908-0051
 
 
 
 
 
 
 

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