Hello Alden,

thank you very much, interesting stuff that marbled strings... have not
heard that before.

What about KF? the equivalent carbon string to a gut one is about 85% of the
diameter. If I am not wrong, a low C would be gut 1.40 / KF 1.20 ;
originally I was using 1.20 gut for the low g (KF 105 now) so it is not a
weird measure.

If I eventually try, I will let you know.

By the way, a curious thing about KF strings; I once saw a trompette string
flat due to friction with the wheel, after some time (more than a year of
use). Carbon strings are not eternal either!.

Regards,

Oscar.



2008/5/6 <[EMAIL PROTECTED]>:

>
> We experimented with various low G trompette strings several years ago.
> Here's a little discussion of what we found.
>
> The difficulty of the low trompette is the need for more mass (which we
> generally call weight) per length of string.  The vibrating frequency of
> the
> string is a function of its length, its mass, and its tension.  The length
> is
> fixed, the tension needs to be within a fairly narrow range for the
> trompette
> to function.  The only parameter left to adjust is the mass.
>
> For more information about how vibrating strings work, check this
> Wikipedia
> article : http://en.wikipedia.org/wiki/Vibrating_string
>
> There are several ways of getting more mass.  We can simply increase the
> gut
> string diameter, or we can add metal or something else to the string to
> make
> it heavier.
>
> Increasing the diameter is problematic.  Theoretical strings have no
> dimension: they consist of a line that stretches from one end to the
> other,
> which is what forms all the cool harmonics when it vibrates.  The larger
> we
> make the diameter of the actual string, the stiffer the string becomes and
> the
> farther the harmonics depart from their ideals.
>
> If we add metal to the string, the string mass goes up without increasing
> the
> diameter.
>
> We tried round-wound strings (smaller versions of the typical petit and
> gros
> bourdons) for the trompette, and were not pleased - they just didn't sound
> right.  Flat-wound strings like violin/viola strings might work there, but
> we
> haven't tried them.
>
> We experimented with gimped strings, which are plain gut strings with
> strands
> of metal wound into the interior of the string to increase the mass while
> presenting a plain-gut exterior. The first one we tried was very nice, and
> I
> really liked it.  It lasted perhaps 6 months before one of the internal
> wires
> broke.  The next one only lasted about a week, and the next one about the
> same, and we gave up on them.  They're pretty expensive, so using one a
> week
> was not reasonable.  It's possible we just got a bad batch, and that
> others
> would work better.
>
> There are also a special type of gimped string where marble dust (!) is
> included in the mix along with the metal wire to increase the density.  We
> haven't tried these.
>
> What I liked about the gimped strings is that they were about the same
> diameter as the 0.97mm we were using for C/D trompettes, while their mass
> was
> equivalent to a 1.25mm plain gut string or similar.  No change in the dog
> was
> needed: string, tune, adjust, play.
>
> Your mileage may vary, of course.
>
> Alden
>
>

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