I took David's comment to be less about the actual earbuds than about the 
effect of cutting all that extraneous lushness and beauty out of the horn sound 
with the side effect of hearing some unexpected things.  
    I noticed something like that a few years ago playing with earplugs.  I 
couldn't hear my tone very well, but I started noticing I could really hear the 
quality of the attacks.  I started noticing that they were not exactly what I 
might have hoped for.  Anyway, it made for kind of a nice cheap self diagnostic 
tool for working on attacks, although my tomatoes are still killer.

- Steve Mumford

David G wrote:

I used to write here about the joys of playing along with song 
collection books that have piano or orchestra accompaniment on CD.  I 
mp3'd some of these accompaniments for portability.  Lately, I began to 
use them with noise-isolating earbuds, so as to not fill up my house 
with loud piano playing, only loud horn playing.

These earbuds (Scosche, pretty good quality) eliminate most of the horn 
sound, so the volume setting for the accompaniment doesn't have to be so 
high. But the timbre of the horn seems very much stripped down - I might 
as well be playing a tin can.  This simplified sound though makes it 
easier to hear certain qualities other than stunning lush tone <humor>, 
like intonation and quality of entrances.  The experience is a little 
like wearing earplugs when you have to play in a dangerously loud 
environment, except for the accompaniment sound that you want to come 
through.

Has anyone here experimented with this kind of isolation, find it 
useful, unuseful?

David G.
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