Steve got the gist of my message.  I appreciate the other comments 
though, and I would much like to experiment with different 
earbuds/phones to hear what there is to hear.  I meant to report my 
surprise at the clarity of the horn sound that I experienced - I heard 
nuances of the not-wonderful kind, as also Steve reports - it is as if 
there is no sonic shrubbery to hide behind.  I intend to use the earbuds 
to play along with the mmo stuff regularly - not exclusively - with the 
hope that passing the tin can test signals discernible improvement for 
real.  I have also used cheap low-down external earbuds - they allow too 
much of the outside sound in, and they don't produce this eerie effect.  
I wonder if much of the horn sound I hear with the noise-reducing 
earbuds comes from bone conduction.  Would some brave physicist care to 
weigh in on that?

David G

Steven Mumford wrote:
>     I took David's comment to be less about the actual earbuds than about the 
> effect of cutting all that extraneous lushness and beauty out of the horn 
> sound with the side effect of hearing some unexpected things.  
>     I noticed something like that a few years ago playing with earplugs.  I 
> couldn't hear my tone very well, but I started noticing I could really hear 
> the quality of the attacks.  I started noticing that they were not exactly 
> what I might have hoped for.  Anyway, it made for kind of a nice cheap self 
> diagnostic tool for working on attacks, although my tomatoes are still killer.
>
> - Steve Mumford
>
> David G wrote:
>
> I used to write here about the joys of playing along with song 
> collection books that have piano or orchestra accompaniment on CD.  I 
> mp3'd some of these accompaniments for portability.  Lately, I began to 
> use them with noise-isolating earbuds, so as to not fill up my house 
> with loud piano playing, only loud horn playing.
>
> These earbuds (Scosche, pretty good quality) eliminate most of the horn 
> sound, so the volume setting for the accompaniment doesn't have to be so 
> high. But the timbre of the horn seems very much stripped down - I might 
> as well be playing a tin can.  This simplified sound though makes it 
> easier to hear certain qualities other than stunning lush tone <humor>, 
> like intonation and quality of entrances.  The experience is a little 
> like wearing earplugs when you have to play in a dangerously loud 
> environment, except for the accompaniment sound that you want to come 
> through.
>
> Has anyone here experimented with this kind of isolation, find it 
> useful, unuseful?
>
> David G.
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