Then the jury members should play it for the candidate first, for every 
candidate !!!
How often will the Brandenburg be on the program ? All other players would 
complain. It is a piece for a chamber orchestra.

For you: so keep the high-F- with you when auditioning for first chair !! Tell 
them YOUR trick !! Using it, means telling them that they are A-holes.

#######################################################################################
 
Am 22.02.2010 um 14:14 schrieb Paul Rincon:

> It is, unfortunately, a very common excerpt on this side of the pond.
> I can't think of very many principal horn auditions where the Brandenburg is
> NOT listed.
> Paul
> 
> On Mon, Feb 22, 2010 at 2:18 AM, Hans Pizka <[email protected]> wrote:
> 
>> Yes, that´s common practice. About asking for that in an audition: I would
>> ask the horn player in the jury to do it first for me, so I can adopt his or
>> her style & play it correctly. ..........
>> 
>> If a jury asks for the Brandenburg, the jury would demonstrate its
>> incompetence, as asking this is mere "idiotic-sadistic". No normal horn
>> player would play the Brandenburg 1st horn part today without using a
>> descant horn, special for sound reason. Where do they ask for such excerpt ?
>> What kind of an orchestra or better what kind of a conductor ? Perhaps a
>> conductor who studied horn & did not make it to the exam ?????
>> 
>> ###########################################################################################
>> Am 22.02.2010 um 04:56 schrieb [email protected]:
>> 
>>> In every recording on hornexcerpts.org of the trio of Brandenburg #1 it
>> sounds like in measures 5/6, 13/14, 21/22, 29/30 the first and second horns
>> switch parts (from what's written in the part on the website/the Thompson
>> book). Is this just standard practice to make it easier? In an audition I'd
>> assume one should play the ink, right?
>>> 
>>> 
>>> 
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