Richard Hirsh <[email protected]> wrote:

   Walter/Wendy Carlos, creator of Switched-on Bach and several sequel
   albums, none of which surpassed the first, IMO.

Yes, of course.  This wasn't a difficult question given there are so few
candidates.

Now, why did I make the following extreme claim?

   IMO this person had as much influence on ongoing musical practice as
   did Mozart or Beethoven in their day.

Before Switched-on Bach it was rare to hear electronically generated
sounds, and when one did hear them, they sounded slightly outside the
realm of musical sounds.  Electronic sounds were acceptable only in
science fiction film sound tracks.

Bob Moog was a major contributor to changing this.  He was a brilliant
electronics tweaker (really an engineer) who solved the design problem
of a voltage-controlled analog oscillator that very-linear and very
stable.  Before Moog's oscillators, it was hard to build a synthesizer
that could produce reproducible in-tune octaves, etc.  So electronic
music often sounded like it was receiving a bad performance.

Carlos took the new instrument and popularized it with the
very-well-performed hugely-successful Switched-on Bach.  The synthesizer
was entirely analog and everything was performed by human hands on
clavier and knobs -- I believe there were no computers or other digital
machinery involved -- but it immediately made electronic synthesizer
sounds familiar to and acceptable by the public.

That public acceptance made development of inexpensive digital
synthesizers and then computer-aided performance much more likely.
Without the Carlos' breakthrough album, we would not today have MIDI and
all the digital computer stuff that is such a large part of (mostly
commercial and popular) music today.

If Carlos had not made the breakthrough, certainly someone else soon
would have.  But Carlos was the one who did it, and the influence on
musical practice is hard to overestimate.

All this is completely NHR, of course.
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