The horn part remains identical for all kind of transpositions & hasd  
to be transposed
to the different keys, a very simple task, to fit with singer & pano.

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Am 24.08.2010 um 19:52 schrieb Richard:

> The poem is sung by a person parting from a female lover by ship and
> hoping to return to her. You may make any witticism you wish about
> sopranos singing this song. I have a few.
>
> The introduction to theBärenreiter performing edition, based on the  
> New
> Schubert Edition includes the following:
>
> "The .. song was given its first performance on 26 March, 1828... The
> vocal part was taken by [Shubert's] friend, the tenor Ludwig Tietze,
> accompanied by the composer and the celebrated horn player Josef  
> Rudolf
> Lewy, who probably played an instrument with two valves."
>
> It was apparently a huge success, and another performance was given a
> month later. An alternate part for cello instead of horn was probably
> made by the cellist Josef Linke the following year for a benefit for a
> Schubert memorial. I believe most on this list would decry use of that
> part (as also the cello part for the Schumann Adagio &Allegro).
>
> Hans Pizka publishes editions in E, Eb, D and C, if memory serves me.
> The horn parts look identical, but the piano and voice parts are
> transposed down to accommodate tenors who can't quite get over the  
> head
> break, baritones, bass-baritones and their benighted but well meaning
> female counterparts.
>
> Richard Hirsh
>
> David Jewel wrote:
>
> According to the collected works publication it only says  
> "singstimme" which I
> looked up and it means "singing voice"  so although I am biased in  
> favor of
> tenors, there is no indication that a soprano isn't appropriate  
> either.
>
>
>
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