Hans,
Fingers moving too fast.. missed the d.
thanks,
Steve

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of 
Hans Pizka
Sent: Wednesday, August 25, 2010 10:53 PM
To: The Horn List
Subject: Re: [Hornlist] Auf dem Strom

Hello Steve, ... what a curious discussion .... people should understand the 
foreign language text
so these errors might not occur. But they play the Gliere Concerto using a 
"Fluegelhorn", baroque
horn concertos with a so called new "corno da caccia" (also a fluegelhorn), 
replace any instrument 
in an ensemble according to availability,  - - and the audience "eats" it.  But 
the same musicians
search for the very, very, very original version THE SAME TIME. Isn´t that a 
bit comical ?

By the way: soprano Fröhlich sang Ständchen ...... see h  &  d. Ooops, these 
foreign language
correction programs .......

And to Ralph: if one has not heard a piece in a certain setting, it does not 
implicate, that ones
own way doing it is the most correct. But one has to accept a founded advice. 
And finally: does it matter at all ?
If done nicely, music is alive & will remain alive, even composed nearly 200 
years ago.

########################################################################
Am 26.08.2010 um 05:38 schrieb Steven Ovitsky:

> One reason that there are performances and recordings with soprano is
> because there are many more competent lyric sopranos than there are
> competent high tenors.
> 
> I performed it in June with a mezzo. She wanted to sing it and asked me to
> play. She sang it in C and we had a pleasant time in rehearsals and
> performance.  
> 
> For those looking for a recording with tenor, there are 2 recordings of
> Dennis Brain performing with Peter Pears and Richard Lewis. Neill Sanders
> recorded it with Robert Tear.  
> 
> The salient facts are, again, that the first performance was by a tenor with
> the composer playing the piano.  That's an indication to me of original
> performance practice.  The premiere was part of Schubert's only public
> concert of his works and took place on the 1st anniversary of Beethoven's
> death.  The soprano Josephine Frőlich sang Stänchen (Grillparzer) on the
> same concert.   
> 
> The text is about someone leaving a female lover.  This is a fact since the
> word "sie" is used throughout. Since the text is set in the first person,
> one would conclude that it refers to a man leaving his girlfriend.  (See
> Richard Hirsh's post)
> 
> Schumann's wonderful cycle Frauenliebe und Leben is marked "Fűr eine
> Singstimme" but even a great baritone would seem pretty foolish singing
> those texts.
> 
> Cheers,
> Steve
> 
> Steven Ovitsky
> Executive Director
> Santa Fe Chamber Music Festival
> www.santafechambermusic.com 
> 
> 
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf
> Of Steve Freides
> Sent: Wednesday, August 25, 2010 8:37 PM
> To: The Horn List
> Subject: Re: [Hornlist] Auf dem Strom
> 
> Steve, after a quick look on the Internet finds many recordings of this
> piece by female singers.
> 
> I leave it to those wiser than me to speculate on which are the salient
> facts.
> 
> -S-
> 
> 
> 2010/8/25 Steven Ovitsky <[email protected]>
> 
>> 
>> Re: Auf dem Strom
>> 
>> Sorry- I was in a rush and left out a few words.
>> sao
>> -------------
>> There's a great quote attributed to Daniel Patrick Moynihan: ‎"Everyone is
>> entitled to his own opinion, but not his own facts."
>> 
>> Did you read Richard Hirsh's and my posts about this?  It doesn't matter
>> what your edition says. The vocal line in the original edition of "Die
>> Schoene
>> Muellerin" is also marked "Singstimme", but it is clear from the text that
>> it is for a male voice.  Same with "Auf dem Strom".  Just read the text.
>> 
>> Steven Ovitsky
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
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