Breathing is everything within etudes. Breath just before upbeats. Shorten any note with a dot for the dot & breath there, but breath very quickly so to remain in the metronome set tempo. Realize also, that some etudes might be written for a single player & do not serve for anything for another player.
Another recommendation: try to sing it & find the "breath spots". ##################################################################################################### Am 12.10.2010 um 00:36 schrieb Howard Sanner: > Any suggestions for how to practice Kling 13? It is one of the Klings > with NO rests at all. It also may be the reason the word "repetitive" > was coined. > > I can set a metronome and get so I can play any four (or other > arbitrary number) of bars pretty well. I can even splice together two > or three four-bar units and play them OK. Beyond that, though, it just > won't hang together. > > Most things I can--at least eventually--come up with a good way to > attack. However Kling 13 is definitely an exception, and I end up > feeling like I'm just piddling around with it and not really > practicing. It's very frustrating. > > Thanks. > > Howard Sanner > [email protected] > > > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
