Sounds like surgery could be in your future since you plan on a musical  
future playing horn,http://www.ajronline.org/cgi/reprint/108/4/825.pdf check  
this article out.
 
John Wilber RN
Principal horn Orchestra Northern Arizonz
 
 
In a message dated 11/25/2010 4:58:36 P.M. US Mountain Standard Time,  
[email protected] writes:

Things  have happened, and about a month ago I started to develop a throat  
problem.  The only way it was even noticed is because when observing my  
embochure with a mirror it caught my eye.  I recently went to doctors  around 
town and it seems that while it is know what exactly the problem is,  the 
cause and complications are unknown.

I have developed what is  called a bilateral laryngocele.  Basically 
because of some reason, when  back pressure(from playing is the greatest 
example) 
is put on my throat, the  windpipe shifts to the left and a really large air 
bubble causes my neck to  puff out quite expansively.  Normally this 
wouldn't be a problem, however  due to its size and the fact that it is indeed 
bilateral, the doctors around  town are particularly clueless as to more 
specifics. 
The most recent  doctor presented his normal solution if somebody else 
would have it, to quit  horn playing.  But he said that since I am going to be 
a 
music major I  really can't just quit.  
So we are now waiting for another specialist  to examine the CT scan, and 
get thoughts as to what a solution would be.   
One thing that has been said is whatever happens I'm pretty much going to  
make it into textbooks because of this.

So I had the idea to ask other  horn players, since some of you have a lot 
of experience in your lives, if you  have ever heard of this.  If any of you 
have had say a student with this  problem.  Or something.  Thoughts, etc.

Thank you for your  time.

> From: [email protected]
> Subject: Horn Digest,  Vol 95, Issue 24
> To: [email protected]
> Date: Thu, 25 Nov 2010  12:00:02 -0600
> 
> Send Horn mailing list submissions  to
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> 
> Today's  Topics:
> 
>    1. I need your opinion (Rafael  Arias)
>    2. I need your opinion (Rafael  Arias)
>    3. Re: I need your opinion (Hans  Pizka)
>    4. Re: I need your opinion (Rafael  Arias)
>    5.  I need your opinion (Rafael  Arias)
> 
> 
>  ----------------------------------------------------------------------
>  
> Message: 1
> Date: Wed, 24 Nov 2010 13:49:36 -0430
>  From: Rafael Arias <[email protected]>
> Subject: [Hornlist]  I need your opinion
> To: [email protected]
>  Message-ID:
>    <[email protected]>
>  Content-Type: text/plain; charset=ISO-8859-1
> 
> Hi, I am making  an audition for the Youtube symphony orchestra and I 
would
> like your  opinion about my video for the audition.
> 
>  http://www.youtube.com/watch?v=j59XMW_GBcw
> 
> Waiting for an  answer
> 
> Rafael Arias
> 
> -- 
> Si hoc non  legere potes tu asinus es
> 
> 
>  ------------------------------
> 
> Message: 2
> Date: Wed,  24 Nov 2010 13:52:33 -0430
> From: Rafael Arias  <[email protected]>
> Subject: [Hornlist] I need your  opinion
> To: [email protected]
> Message-ID:
>    <[email protected]>
>  Content-Type: text/plain; charset=ISO-8859-1
> 
> Hi, I am making  an audition for the Youtube symphony orchestra and I 
would
> like your  opinion about my video for the audition.
> 
>  http://www.youtube.com/watch?v=j59XMW_GBcw
> 
> Waiting for an  answer
> 
> Rafael Arias
> 
> 
> -- 
> Si  hoc non legere potes tu asinus es
> 
> 
>  ------------------------------
> 
> Message: 3
> Date: Wed,  24 Nov 2010 19:59:24 +0100
> From: Hans Pizka  <[email protected]>
> Subject: Re: [Hornlist] I need your  opinion
> To: The Horn List <[email protected]>
> Message-ID:  <[email protected]>
> Content-Type:  text/plain; charset=iso-8859-1
> 
> Hello Raffael,
>  
> I?ll give you my very frank answer:
> 
> I?ll not talk  about the Till much, but why  the low F (concert) so short 
& just  "pfaaht" instead of "mucho sonore profondo" and not 
> that short,  beside other things.
> 
> Isn?t the great ff passage from  R.Strauss "Don Juan" in the key of "E" 
(Mi) ? And isn?t that a real ff, con  tutta forza, mui largo, con 
> tanta sonorita ? And the last high note  not squeezed, but held with 
crescendo  ?
> 
> Did you ever  listen to Beethoven No.9 ? I doubt that, as you play the 
solo to make  everybody fall asleep ... and this solo is a very intimate solo 
(on natural  horn most notes would be muted !). The beginning does not sound 
at all, the  low notes getting out of control and are not held properly. 
The ritardando at  the scale is much over done.
> 
> Did you ever look at the title  of Mendelssohn?s "Nocturno" ? It is a 
night song, some kind of a Serenata, to  be played as sweat as possible, not in 
mf as you do.  It is some kind of  a love song, much tender, full of 
romantic, the upbeat played like a viola  with 
> up bow twice. And you played it in a tempo like a Marching band,  but it 
MUST be much slower at metronom 84 perhaps. And the up beat: tak - ta -  
tah. Why the dotted eight note that short ?
> 
> the good thing is  your intonation. Other bad thing is: too many weak 
notes, starting with  insecurity (grrrt).
> 
> By the way, the Mozart was also too  uniform in sound, no expression at 
all.
> 
> How to better things  ? Quite easy. Lay the horn down. Try to sing the 
excerpts. Try to sing the  Mozart. And try to give the pieces a soul. It does 
not need much effort to  change your playing to the better. You can better 
the things surely, if you  want to do it.
> 
> Bring the music in a higher position on the  music stand (atril) , so not 
to look down & close your throat by the wrong  position. Try it, playing 
standing upright, holding the horn upright. You will  notice the new quality 
within very few tries.
> 
> Good  luck.
> 
>  
######################################################################################################
>  
> Am 24.11.2010 um 19:19 schrieb Rafael Arias:
> 
> >  Hi, I am making an audition for the Youtube symphony orchestra and I  
would
> > like your opinion about my video for the audition.
>  > 
> > http://www.youtube.com/watch?v=j59XMW_GBcw
> >  
> > Waiting for an answer
> > 
> > Rafael  Arias
> > 
> > -- 
> > Si hoc non legere potes tu  asinus es
> > _______________________________________________
>  > post: [email protected]
> > unsubscribe or set options at  
https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com
>  
> 
> 
> ------------------------------
> 
>  Message: 4
> Date: Wed, 24 Nov 2010 14:52:39 -0430
> From: Rafael  Arias <[email protected]>
> Subject: Re: [Hornlist] I need  your opinion
> To: The Horn List <[email protected]>
>  Message-ID:
>    <[email protected]>
>  Content-Type: text/plain; charset=ISO-8859-1
> 
> Thank you hans  for your Reply and critic, a litle sour but well received.
> 
>  About the mozart, I tried to keep it simple. But I will work on that  you
> have toll me.
> 
> Thank you again for your  reply.
> 
> Rafael
> 
> 
> 2010/11/24 Hans Pizka  <[email protected]>
> 
> > Hello Raffael,
>  >
> > I?ll give you my very frank answer:
> >
>  > I?ll not talk about the Till much, but why  the low F (concert) so  
short &
> > just "pfaaht" instead of "mucho sonore profondo" and  not
> > that short, beside other things.
> >
> >  Isn?t the great ff passage from R.Strauss "Don Juan" in the key of "E" 
 (Mi)
> > ? And isn?t that a real ff, con tutta forza, mui largo,  con
> > tanta sonorita ? And the last high note not squeezed, but  held with
> > crescendo  ?
> >
> > Did you  ever listen to Beethoven No.9 ? I doubt that, as you play the 
solo
>  > to make everybody fall asleep ... and this solo is a very intimate 
solo  (on
> > natural horn most notes would be muted !). The beginning does  not 
sound at
> > all, the low notes getting out of control and are  not held properly. 
The
> > ritardando at the scale is much over  done.
> >
> > Did you ever look at the title of  Mendelssohn?s "Nocturno" ? It is a 
night
> > song, some kind of a  Serenata, to be played as sweat as possible, not 
in mf
> > as you  do.  It is some kind of a love song, much tender, full of  
romantic,
> > the upbeat played like a viola with
> > up bow  twice. And you played it in a tempo like a Marching band, but it
> >  MUST be much slower at metronom 84 perhaps. And the up beat: tak - ta 
-  tah.
> > Why the dotted eight note that short ?
> >
>  > the good thing is your intonation. Other bad thing is: too many weak  
notes,
> > starting with insecurity (grrrt).
> >
>  > By the way, the Mozart was also too uniform in sound, no expression at 
 all.
> >
> > How to better things ? Quite easy. Lay the horn  down. Try to sing the
> > excerpts. Try to sing the Mozart. And try  to give the pieces a soul. 
It does
> > not need much effort to change  your playing to the better. You can 
better
> > the things surely, if  you want to do it.
> >
> > Bring the music in a higher  position on the music stand (atril) , so 
not to
> > look down &  close your throat by the wrong position. Try it, playing
> > standing  upright, holding the horn upright. You will notice the new 
quality
>  > within very few tries.
> >
> > Good luck.
>  >
> >
> >  
######################################################################################################
>  >
> > Am 24.11.2010 um 19:19 schrieb Rafael Arias:
>  >
> > > Hi, I am making an audition for the Youtube symphony  orchestra and I
> > would
> > > like your opinion about  my video for the audition.
> > >
> > >  http://www.youtube.com/watch?v=j59XMW_GBcw
> > >
> > >  Waiting for an answer
> > >
> > > Rafael Arias
>  > >
> > > --
> > > Si hoc non legere potes tu  asinus es
> > >  _______________________________________________
> > > post:  [email protected]
> > > unsubscribe or set options at
> >  
https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com
>  >
> > _______________________________________________
> >  post: [email protected]
> > unsubscribe or set options at
> >  
https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/rafaelefucho%40gmail.com
>  >
> 
> 
> 
> -- 
> Si hoc non legere potes tu  asinus es
> 
> 
> ------------------------------
>  
> Message: 5
> Date: Wed, 24 Nov 2010 14:55:45 -0430
>  From: Rafael Arias <[email protected]>
> Subject:  [Hornlist]  I need your opinion
> To: The Horn List  <[email protected]>
> Message-ID:
>    <[email protected]>
>  Content-Type: text/plain; charset=ISO-8859-1
> 
> Thank you hans  for your Reply and critic, a litle sour but well received.
> 
>  About the mozart, I tried to keep it simple. But I will work on that  you
> have toll me.
> 
> Thank you again for your  reply.
> 
> Rafael
> 
> 
> 2010/11/24 Hans Pizka  <[email protected]>
> 
> Hello Raffael,
> >
>  > I?ll give you my very frank answer:
> >
> > I?ll not  talk about the Till much, but why  the low F (concert) so 
short  &
> > just "pfaaht" instead of "mucho sonore profondo" and  not
> > that short, beside other things.
> >
> >  Isn?t the great ff passage from R.Strauss "Don Juan" in the key of "E" 
 (Mi)
> > ? And isn?t that a real ff, con tutta forza, mui largo,  con
> > tanta sonorita ? And the last high note not squeezed, but  held with
> > crescendo  ?
> >
> > Did you  ever listen to Beethoven No.9 ? I doubt that, as you play the 
solo
>  > to make everybody fall asleep ... and this solo is a very intimate 
solo  (on
> > natural horn most notes would be muted !). The beginning does  not 
sound at
> > all, the low notes getting out of control and are  not held properly. 
The
> > ritardando at the scale is much over  done.
> >
> > Did you ever look at the title of  Mendelssohn?s "Nocturno" ? It is a 
night
> > song, some kind of a  Serenata, to be played as sweat as possible, not 
in mf
> > as you  do.  It is some kind of a love song, much tender, full of  
romantic,
> > the upbeat played like a viola with
> > up bow  twice. And you played it in a tempo like a Marching band, but it
> >  MUST be much slower at metronom 84 perhaps. And the up beat: tak - ta 
-  tah.
> > Why the dotted eight note that short ?
> >
>  > the good thing is your intonation. Other bad thing is: too many weak  
notes,
> > starting with insecurity (grrrt).
> >
>  > By the way, the Mozart was also too uniform in sound, no expression at 
 all.
> >
> > How to better things ? Quite easy. Lay the horn  down. Try to sing the
> > excerpts. Try to sing the Mozart. And try  to give the pieces a soul. 
It does
> > not need much effort to change  your playing to the better. You can 
better
> > the things surely, if  you want to do it.
> >
> > Bring the music in a higher  position on the music stand (atril) , so 
not to
> > look down &  close your throat by the wrong position. Try it, playing
> > standing  upright, holding the horn upright. You will notice the new 
quality
>  > within very few tries.
> >
> > Good luck.
>  >
> >
> >  
######################################################################################################
>  >
> > Am 24.11.2010 um 19:19 schrieb Rafael Arias:
>  >
> > > Hi, I am making an audition for the Youtube symphony  orchestra and I
> > would
> > > like your opinion about  my video for the audition.
> > >
> > >  http://www.youtube.com/watch?v=j59XMW_GBcw
> > >
> > >  Waiting for an answer
> > >
> > > Rafael Arias
>  > >
> > > --
> > > Si hoc non legere potes tu  asinus es
> > >  _______________________________________________
> > > post:  [email protected]
> > > unsubscribe or set options at
> >  
https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com
>  >
> > _______________________________________________
> >  post: [email protected]
> > unsubscribe or set options at
> >  
https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/rafaelefucho%40gmail.com
>  >
> 
> 
> 
> -- 
> Si hoc non legere potes tu  asinus es
> 
> 
> 
> -- 
> Si hoc non legere  potes tu asinus es
> 
> 
>  ------------------------------
> 
>  _______________________________________________
> post:  [email protected]
>  https://pegasus.memphis.edu/cgi-bin/mailman/listinfo/horn
> 
> End  of Horn Digest, Vol 95, Issue 24
>  ************************************

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