Sorry, Martin,

bells up might be right for certain compositions but not for L“Arlesienne.
One has to take the compositions title into consideration also.

I produced a scandal about "cuivre" and its interpretation, years ago, with 
famous conductor Igor Markevich, in front of the orchestra. He insisted always: 
"blay 
kuivree, KUIVREE !!" - I said (playing light weight brassy as usual in French 
music):
"Sorry, Maestro, I am doing it always as written in my part." - "Thaz not 
Kuivree ! Kuivree 
mast be pouchee !" - "Sorry, Maestro, the one has nothing to do with the other 
!" -
"You blay kuivree as pouchee now !" - "Sorry, Maestro, how should I play this 
passage: 
cuivre or bouche ?" - No more from the maestro. I played the passage French 
style light 
weight brassy with a bit stressy embouchure. It worked fine & sounded fine.

But Markevich denounced me at the administration, who sent me a warning letter. 
But they had to draw back the warning letter, as they had forgotten to hear my 
version 
of the case first.

Markevich was a quite well known conductor, but famous for his despotic 
attitudes. But a 
guest conductor must not behave like he did.
########################################################################

Am 20.12.2010 um 05:54 schrieb M Bender:

> Hi Bill,
> 
> Your conductor [or his source] is incorrect by a country mile/kilometer. 
> 
> Schmetternd means "blaring". Some even perform this bells up.
> 
> Best wishes for the season,
> martin bender
> 
> On 2010-12-19, at 7:07 PM, Bill Gross wrote:
> 
>> In Bizet's L'Arlesienne Suite #1, 4th Movement "Carillion" the Horn parts
>> carry the notation, "schmetternd."  According to one source this means
>> "stopped."  Our conductor isn't calling for that, and he is somewhat
>> knowledgeable about this stuff emphasis on "somewhat."    
>> 
>> What is the usual interpretation?   
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> "All great things are decided not by machines or gadgets, but by willpower; 
> whoever has it will finally prevail." Winston Churchill
> 
> 
> 
> 
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