Plenty of people have fast fingers - but I wonder if we've peaked or what  
the limitations are.
 
In a related topic to finger flexibility, I think it would be useful to  
point out finger dexterity in terms of typing. On a good day I can type about  
110WPM, and on a bad day 90WPM. This is on a standard keyboard and I've 
been  able to type this fast since I was at least 15.
 
I know that before my time, in the 1970s and earlier, that typing was even  
more challenging due to the fact that a lot of typewriters were manual, and 
so  if you wanted your letters to show up on the paper you had to push down 
pretty  hard with your fingers. Even keyboards in the early 1980s were 
mechanical and  required much more force than keyboards do today. I'm using an 
apple keyboard on  one pc, and a Razer keyboard on my work computer, and I 
notice a far better  improvement in typing speed and accuracy on a keyboard 
with more tactile  response.
 
As far as manual typewriters go, Ron Mingo was a record holder in the 1970s 
 and could type nearly 165WPM on a manual typewriter with 100% accuracy. 
 
Those that use a dvorak layout (instead of the qwerty) can sometimes reach  
200WPM on modern keyboards - and the current record holder uses that 
layout. 
 
Brass playing isn't the only thing that requires serious finger dexterity.  
Piano players have us all beat as far as I can tell. They don't have  many 
choices for alternative fingerings and the fingerings they use  are very 
important. I was able to get my piano competency in college, but I was  nowhere 
near the level of some of the piano majors (or even piano minors). There  
are pianists living today that have finger speed that is almost inhuman - 
Martha  Argerich or Jack Gibbons for example. There are also no longer living  
pianists that had finger speed that may never be matched (Cziffra, Liszt, 
and  Alkan come to mind). There's even a recording on youtube of Cziffra 
'improving'  as a test of a piano, and in it he breaks into Chopin's first 
Etude 
at a speed  that is at least twice as fast as anybody else can play it. 
There are Cziffra  transcriptions and Alkan pieces that are so challenging on 
the fingers that only  the arrangers/composers have ever been able to play 
them, too.
 
I think we horn players have it easy compared to pianists.
 
-William
 
 
In a message dated 1/3/2011 6:02:26 P.M. Eastern Standard Time,  
[email protected] writes:


Indeed you are right William, there are many horns players out  and about 
with fabulous fingering technique, some right on this list of  ours.  
Valerie, while I do not disagree that it is good to free the  weight of the 
trumpet 
to aid in quick fingering, I do disagree with the notion  that it is 
necessary.  The immortal Jimmy Burke, cornet soloist for  decades with the 
Goldman 
Band in NYC had lighting quick fingers (and a  multiple tonguing technique 
that wouldn't quit).  Jimmy, due a condition  from birth was a one-armed 
player (he could have been a horn player!).   By necessity, he supported the 
weight and fingered with his left arm/hand.  Though I am sure there are many 
others, James Burke was one of the greats  who's name should be remembered.  
He always had a repertoire of several  solo pieces at the ready and was 
often called upon at a moment's notice (read  - no notice) to perform at the 
summer band concerts. 

If you don't know  about Jimmy Burke, this wonderful website, constructed 
in his honor, will  provide some nice reading - this will take you to the bio 
page.  http://www.jfbcornet.com/biographyresume.htm 

Happy New Year to All,  
Chris 



>>> "William.S.Gross"  <[email protected]> 1/3/2011 1:21 PM >>>
Having  heard the American Horn Quartet play their arrangement to the 
Marriage of  Figaro Overture, it was clear really good horn players have pretty 
fast  fingering ability.

>
>  ________________________________
> From: valerie wells  <[email protected]>
> To: horn list 2 memphis  <[email protected]>
> Sent: Mon, January 3, 2011 12:54:33  AM
> Subject: [Hornlist] FreeNeck - was Alexander 309 triple for sald -  DUTCH 
AUCTION
>
> Since coming back to horn 5 years ago, I've  often wondered if there
> couldn't be a practical solution to many of  the shoulder problems I
> hear horn players complaining about.   I've seen various methods of
> support from underneath the instrument  which seem cumbersome for an
> assortment of reasons, but a strap that  doesn't strain the neck looks
> workable.
>
> I've been  asked to teach trumpet to a middle school child, so I
> arranged to have  a  lesson with a local trumpeter.  He told me Friday
> the  only way to develop the lightening fast finger facility of a
> trumpeter  is to totally support the wieght of the trumpet with the
> left hand so  the right hand fingers are free & unencumbered.  Ah ha!
> So  that's how they do it.  Seems we hornists could have better
>  facility if we didn't have to bear so much weight with the left hand  &
> arm.  Even a ducks foot or well designed strap still  require weight
> bearing from the left hand & arm.
>
>  Thanks for the link, Andrew.  I saw your reference to this item on  the
> IHS website.  Have you found greater ease in your finger  facility
> since you've been using the FreeNeck or is most of the  benefit to your
> shoulder alone?
> --
> Valerie  Wells
> The Balanced Embouchure Method
>  http://bebabe.wordpress.com/
>  http://www.beforhorn.blogspot.com/
> -----------------
>> check  out the FreeNeck system. It costs about ?100.
>
>>  http://www.saxophon-
>>>  service.de/homep/prospekte/ergonomic_systems/freeneck.html
>
>>  I also had problems with my right shoulder and an Otto full triple. 
Using the  .
>>> FreeNeck solved it for me.
>
> Best  wishes
> Andrew
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>
>
>
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