I tried searching the web for this, but it didn't turn up.
I'm trying to get the definitive/correct version of a Limerick about
Schenkerian analysis that goes roughly like this:
There once was a couple of Schenkerian persuasion
engaged in an act of copulation.
While he was demonic to get to the tonic,
she much preferred prolongation.
I don't think I have the rhythm quite right here (though the tonal aspects
of the Urlinie are arguably impeccable). If anyone on the list knows the
right version, or a better one, please send it to me (off list if desired).
Bob Dickow
Lionel Hampton School of Music
University of Idaho
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