Here again it's the player, not the horn. I blend very well with my section 
mate, who plays an 8D on the leg. I play a medium bell Finke Brendan off the 
leg. You can't tell the difference in a recording.

However, I do have a problem blending with some 8D players--I've run across 
several. They have a very woofy, muffled tone. I don't like that sound, and 
guess what, I have trouble playing that way.

Herb Foster




________________________________
From: Walter Lewis <[email protected]>
To: The Horn List <[email protected]>
Sent: Wed, February 23, 2011 11:19:36 AM
Subject: Re: [Hornlist] Improvements to a Paxman 25A


Well Richard,

So  I sound like a Mac guy, eh? Nah, I use Ubuntu, so that argument can fly out 
the window (s). As to your comment about Paxman being large horns, I agree 
they're large bore. That's exactly what I was looking for when I purchased my 
first Alex. I had in mind either a Paxman or an Alex. In case you didn't know, 
the Alex is also big, it's a .475 horn. 


Personally, I've never had any complaints trying to blend with an 8D, in one of 
my orchestras the Principal plays on an 8D, and we've got a great blend. In 
fact, he has told me he wishes we could together more often due to our blending 
ability. I think either one of my Alexanders can blend with any freakin' 8D on 
the planet. If I remember correctly, the Germans like large DARK horns! 


I guess we do agree on one point; if we wanted 8D's we'd buy em. I personally 
don't care for them. I am speaking from experience, since my mother bought me 
an 
N series Elkhart for my high school graduation present and I played it all the 
way through college. Being young and in love, I sold the horn to muster up 
enough money to get married (boy, if I were a golfer, I'd sure as hell would 
have asked for a Mulligan on that one! Not so much as for getting married, but 
what I could have gotten for the horn now). I never felt comfortable playing on 
that horn.

Walt Lewis


      
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