I didn't get the nickname, but that was me my freshman year of high school - a 
problem that was exacerbated by the fact that our band room was equipped with 
very resonant wooden risers....

Ben



________________________________
From: Chris Wilhjelm <[email protected]>
To: The Horn List <[email protected]>
Sent: Mon, April 4, 2011 11:31:05 AM
Subject: Re: [Hornlist] Bad woodwind-itis cure sought!


you may actually enjoy this one: 
I had a really terrific kid in my first high school band, a very fine clarinet 
player, who not only tapped his foot, he lifted his whole leg.  I never saw it 
before, and have never seen it since. 


The kids nick-named him "Thumper"  (which if funnier if you've seen Snow White 
and Seven Dwarfs) 


c 



>>> Hans Pizka <[email protected]> 4/4/2011 11:20 AM >>>
You could have told the tuba player, that you remember that Mr.Jacobs had said, 
never
tapping with the right foot & if that doesnt work with the left foot, to stop 
tapping. The tuba
player might have digested that.

If telling a lie, it must be convincing. Or tapping a bit earlier or later than 
the poor tuba fellow ?

#####################################################################
Am 04.04.2011 um 04:36 schrieb Steven Mumford:

>
>
>     This reminds me of a concert a few years ago where I ended up sitting 
>directly to the right of the tuba player.  Throughout all the rehearsals, on 
>every piece, he was tapping his size 12 flapper right foot about as high and 
>as 
>loudly as I've ever seen anybody do it, consistently just a bit behind the 
>conductor's beat.  I asked him politely a couple of times if he would mind not 
>doing that.  He's a nice guy that I've known for quite awhile but this was the 
>first time we had played together.  He replied that Mr. Jacobs had told him he 
>should always tap his foot.  Sigh.  By the time the concert came around, the 
>distraction had just become a little too much for me, and during a 
>particularly 
>rhythmic piece I reached over with my left foot and stepped on his foot and 
>held 
>it firmly down.  He struggled like a wild animal to get free but I hung in 
>there 
>till the end of the piece as we rocketed through that crazy torrent of notes 
>and 
>rhythms.
> See?  He didn't need to tap his foot after all.
>
> - Steve Mumford
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