Well, now that you mention it, our English Horn player finds that any time
we stop during a rehearsal, except for breaks, it is his cue to play a
little figure that goes CBC, EDE, GFG, CBC ascending.  

I do find the antics of the woodwinds kind of amusing the largest majority
are teachers in the middle schools and high schools in the area.  When we
rehearse they engage in the same type of activity (talking to each other
when the conductor is trying to explain something, etc) that they probably
give their own students a whole lot of grief over.  

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of Sandra Clark
Sent: Wednesday, April 06, 2011 5:25 AM
To: 'The Horn List'
Subject: Re: [Hornlist] Any Ensemble Pet Peeve

In the orchestra where I work, practicing prior to rehearsal and at
intermission is common.  I can't speak for my colleagues, but passages on
the week's program (or upcoming ones...) feel differently played in our hall
than at home.  The hall, the temperature is usually correct, whereas at my
home (at least) it may only be 60 f.

Also - loud passages 'back up' on one in a small room filled with carpet,
chairs, and such.  Playing them out in the actual hall is a sort of 'final
analysis' I find crucial to entering performance with a sense of readiness.


The only person in our orchestra that ever gets the kind of ultra-rude
treatment your concertmaster tossed out is one of our violinists, who often
gets 'jazzed' by a performance, and will play backstage after the show and
play concertos, Bach, or whatever crosses his mind.  I love it (especially
as he's quite amazing...) but it's not uncommon for people to yell at him to
go home...

I understand that, in a pit gig (8 shows a week...and NOTHING changes...),
you'd all want some peace.  My guess is your horn player was dreaming of
getting an orchestra job...and never having to be a horn playing galley
slave again.

Sandra
Toledo



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