Your question was inaccurate & unqualified.

YOU CANNOT BLOW A HORNS NOTE TO PLACE IF A NOTE IS NOT IN TUNE. YOUR EMBOUCHURE 
WILL GET USED TO THE OUT OF TUNE NOTE AND CORRECT IT AUTOMATICALLY.

BUT IF YOU CHANGE THE HORN, THIS AUTOMATIC CORRECTION WILL REMAIN IN PLACE & 
THE SAME NOTE WILL BE (to remain with the same sample) TOO SHARP THEN 
(preconditioned the note be right in place on the new instrument).

Sorry, what kind of silly questions or innocent questions. Have you never hear 
or read anything
about the relations of the natural pitches ? Has your teacher never told you 
something about it ?

#############################################################

Am 05.05.2011 um 22:25 schrieb SH:

> That wasn't my question Hans. 
> 
> Hans Pizka <[email protected]> wrote:
> 
>> Why playing it on the bb horn if you have it perfect on the f side ???? Use 
>> your double as a 4-valve-  or 5-valve-horn (stop valve included) ??
>> 
>> Very simple solution.
>> 
>> Some Bb horns have the middle g as real "wolf-note", even to be heard 
>> clearly from (stubborn)
>> widely known soloists, females included, CDs included.
>> 
>> #########################################################
>> Am 05.05.2011 um 20:29 schrieb SH:
>> 
>>> I think what I mainly wanted to know is if the change in sound gets any 
>>> better the more you play the g on the b horn?  Why is it that all the other 
>>> mid notes below g sound much better on the b horn than the g?
>>> 
>>> Thanks
>>> 
>>> Hans Pizka <[email protected]> wrote:
>>> 
>>>> Valerie, you used the term "almost". I remember a talk with Rolls-Royce 
>>>> airplane engine engineers
>>>> in Kobe/Japan 20 years ago. They talked about the problems their Japanese 
>>>> colleagues had when tuning these most delicate engines & could not master 
>>>> the problems so to call in the British engineers. They (British), suspect 
>>>> about the tools used by the Japanese, asked them: "Did you use the 
>>>> original tools ?" - "Yes, yes, almost, almost !" - "where these tools 
>>>> original Rolls-Royce tools ?", they insisted. "Almost, almost !". - It 
>>>> turned out, the Japanese engineers had used tools, which were metric, 
>>>> while the originals were after the British measurement in fractions of 
>>>> inches.
>>>> 
>>>> So it be with your statement "the middle G sound almost identical". What 
>>>> does "almost identical" mean ? Identical means 100% the same. But for your 
>>>> ears perhaps, but not for the objective listener. It cannot be. If you 
>>>> mean, you can lip it into place, the sound cannot be the same, nor can it 
>>>> be unlipped, as there are different harmonics involved.
>>>> 
>>>> You wrote, that it "feels a little different on both sides of your 
>>>> Merker". Yes, off course, as these are different harmonics.
>>>> 
>>>> If you try a certain note on any horn, you MUST NOT lip it up or down nor 
>>>> correct it by the use of the right hand.
>>>> 
>>>> You can start correcting, after you have explored the particular horn in 
>>>> full first.
>>>> 
>>>> ##########################################################
>>>> Am 05.05.2011 um 19:32 schrieb valerie wells:
>>>> 
>>>>> Do you think some of the problems with middle G on the Bb horn may depend 
>>>>> on
>>>>> the horn?  I have trouble centering the tone & pitch of middle G on my
>>>>> single Bb horn, but not on the Bb side of my Holton Merker.  The tone of
>>>>> middle G sounds almost identical, yet "feels" a little different, on both
>>>>> sides of my Merker.
>>>>> -- 
>>>>> Valerie Wells
>>>>> The Balanced Embouchure Method
>>>>> http://bebabe.wordpress.com/
>>>>> http://www.beforhorn.blogspot.com/
>>>>> _______________________________________________
>>>>> post: [email protected]
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>>>> 
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>> 
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> _______________________________________________
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