On Thu, May 19, 2011 at 9:03 AM, Milton Kicklighter
<[email protected]> wrote:

> I did kind of make light of playing after beats with my "military band" 
> comment,
> but over the years I have found that there are many that have much trouble
> playing after beats.  It has kind of come natural to me,  and many other horn
> players,  because of my experience playing in a band.  Oh the many many 
> marches
> where there was nothing but after beats.  And if you would like to have the
> "greatest" experience in playing.... tongue in cheek..... play the horn...
> marching... on a rough field!!!  Now that is the way to learn how to 
> play after
> beats.  :)

In the "for what it's worth" department, having to play parts like
this is the biggest reason I quit playing French Horn in our local
community band.  Although one encounters writing like this in an
orchestra, you get it _much_ more in a band, and it's just awful to
play, particularly for an amateur like me who has only so many notes
in my breath and in my embouchure in a given day.

I like Hans' sentiment here - practice melody.  My favorite things to
practice on the horn are those "Twenty Four Italian Songs"

http://tinyurl.com/24ItalianSongs

(The full link is below.)

http://www.sheetmusicplus.com/search?id=288755&q=twenty-four+italian+songs+and+arias+-+medium+high+voice+%28book%2Fcd%29

That's the high voice edition, and one must be able to play horn in C,
but they're wonderful - I usually play them as a tenor would sing
them, sounding 1 octave below written pitch, and the slower song are
perfect for an intermediate player.  Sometimes, when my upper register
is feeling good, I play the low voice edition at pitch and, if I'm
playing them without an accompanist, I play them in whatever key I
feel like.

My recommendation to Daniel - hold the horn almost but not touching
your face, and sing your part on solfege! (Just kidding.)

-S-
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