I fully sympathize with John's point of view.  Whenever I listen to the
Gardiner recording of Brahms' German Requiem, I get goose-bumps from the
horn sound.  But I am affected in a different but equal manner when
listening to a section of well-played 8D's.  I also enjoy what one might
call "cross-over" playing, for example the London Philharmonic's soundtrack
recording for Lord of the Rings, which in the horn-work sounds much more
like Hollywood 8D's than Paxmans.  Goes to show that it's more the musician
than the equipment.  (Although in this last case maybe recording techniques
play a significant part, as well.)

Fred


-----Original Message-----
From: John Mason [mailto:[EMAIL PROTECTED]]
Sent: Friday, January 03, 2003 8:55 AM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Musically telling sound, was re: Conversion of a
High F Horn to Eb


Bob Osmun wrote, wisely:

>The goal of horn playing is to produce what Farky
>Cousins calls a "musically telling" sound, not to
>recreate some specific historical ideal.

This makes excellent sense.  For about 90 seconds
every January 1st (that is, when I hear the horn solo
in the introduction to Blue Danube, during the VPO's
New Year's concert), I think that Pizka is right:  We
should all dump our Krupes and Geyers, Alexes and
Bergs, Lawsons and Schmids, Yamabamers and Holtons,
and even our pre-letter 8Ds with Lawson leadpipes and
Patterson valves.  We should play only Vienna horns
and only with the F crook.  No doubt about it, the
Vienna sound is simply gorgeous.

But then I glance over to my CD collection and think
about the hornists whose sound and whose musicianship
thrill me.  There are many musically telling ways to
play the horn.

Alan Civil, Peter Damm, and Julius Watkins didn't
produce the historically authentic Vienna single F
horn sound.  Would we have wanted to tell them that
they should?  How about Aubrey Brain?  Would we have
said to him that he played the wrong sort of single F
horn and produced an inauthentic sound?  How about
Dale Clevenger, David Jolley, Vincent Chancey, or
Radovan Vlatkovic?  Anything wrong with the way they
play?  I  didn't think so.

I admire the sound that the VPO hornists produce.  But
as a great man once said, may one hundred flowers
bloom, may one hundred schools of hornplaying contend.

--John

=====
J. Mason, Charlottesville, Virginia
New Pics, Greg Howard Band at Starr Hill Music Hall:
http://www.greghoward.com/sights/stills/starrhill/

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