This is not a specific technique, as so many advices are misunderstood as they are taken wordly.
Singing through the horn means articulating as if one were singing. One cannot sing with nearly closed mouth, right ? It would be humming not singing. So keep the throat open. Sing the melody without the horn, breath "up-beat-wise". Keep this experience including the so found phrasings, "transpose" it to the horn & play the same melody on the horn "if you were singing". That�s all. Try it & watch yourself. ======================================================================== -----Urspr�ngliche Nachricht----- Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im Auftrag von Timothy A. Johnson Gesendet: Freitag, 14. M�rz 2003 16:26 An: 'The Horn List' Betreff: [Hornlist] Singing through the horn OK - I've read this a few times, the idea of "singing through the horn." Would someone care to elaborate on this a bit more? Is this a specific technique, or more a matter of state of mind? Thanks, Timothy A. Johnson Information Technologies Northwestern College St. Paul, Minnesota http://tajohnson.org -----Original Message----- From: John Dutton Sent: Wednesday, 12 March, 2003 5:31 PM Subject: [Hornlist] Trills in Dvorak 8 That's a good question Hans! I speak quite a bit about Schantl and singing through the horn as well but I haven't mentioned that lately I guess and it didn't seem pertinent to the question asked;-). My students are even now learning the joys of Bordogni! However, a few tricks in the bag are nice too. The Jack Attack! _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/hans.pizka%40t-online.de _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
