----- Original Message ----- 
From: "Jeremy Hansen" <[EMAIL PROTECTED]>

> Never, ever, ever buy single Bb horns for your students. If anyone says
that
> the difference in sound and technique doesn't make a difference, then they
> are missing the point of the instrument.
>
> Jeremy Hansen

I would have to disagree with you on this. If one uses a separate technique
play Bb horn as opposed to F horn, then they are missing the point.
Following this same thought process, is the Eb horn bad, too? Or is there a
magical quality about Horn in F? I doubt that in the early days of natural
horns, teachers would have insisted on beginners playing on the F crook
only. Plus, you change the inherent pitch base of the horn every time you
depress a valve... So should students play all notes open???

I can see that you might find the longer horn and closer partials as
something a student should battle through, but I don't see what the big "Bb"
deal is. Many times in a middle school situation, your horn players are
trumpet converts and the key of the horn makes the transition easier.
Obviously, an outstanding player should be transitioned to a double horn
anyway, so you're going to have access to the Bb instrument regardless.
You're taking a purist's view of the situation, and I can understand that,
but good teaching will minimize any perceived downside to the Bb horn, IMHO.

Dave Tuttle
Principal Horn, Mojave Desert Hootenanny Ensemble & Modern Music Consort


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