Hans -  I thank you for your attention to detail. I did mean Joseph Reicha, not Anton, 
and as a former semiprofessional copyist and music history major, I am aware that in 
the 1700's everything was done by hand. Thus many transliterations and misspellings, 
etc.  [such as mine,] I also know that fatique and eyestrain are all too common in 
that profession.  
I have not done a side by side analysis of the melodic and thematic content so as to 
have a sure foundation for my opinion. I base it on my listening analysis of both of 
them.  I have been listening to the Reicha for over 21 years [at least three times a 
year] and the Haydn/Rosetti for over 15.  When I can afford to purchase the music I 
will do the previously mentioned solid analysis. 
I carefully avoided any reference to quality or my enjoyment of the concertos because 
I believe that if you like something, it may not matter who wrote it. I like them 
both, but the authorship question is irrelevant to my pleasure when I listen to them. 
Figuring out who wrote what fulfills another need and gives me the satisfaction of  
"the hunt."
For those who don't know the Oettingen-Wallerstein court was home to a pretty unique 
group of compsitions for two horns that as far as I know remains the only court to 
have built up such a library. 
 
This whole Haydn topic naturally leads to my proposing the following question:
did Haydn write both of the solo horn concertos currently attributed to him?


Hans <[EMAIL PROTECTED]> wrote:
He, he, it was not Reiche but Reicha at the Oettingen Wallerstein court,
a very big difference. And Heiden was a very common spelling then. You
find it at other libraries as well. The copies were not written by the
composer but by copyists who were in a hurry always.

The melody source was the common "melody reservoir" of Southern Germany,
Austria & Bohemia anyway. Yes it is a bit to earthen for papa Haydn, off
course. But does it matter ? It is played all over the world.



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