Klaus: I was aware of the article, but I'm sure others will benefit from your mentioning it - Phil is not real specific here about different fingering options. Knowing of der Perfesser's plentiful plethora of knowledge, I figured he'd have some enlightening info.
Scott --- Klaus Bjerre <[EMAIL PROTECTED]> wrote: > From: Scott Pappal <[EMAIL PROTECTED]> > Subject: [Hornlist] Triple/Descant Usage > > Der Perfesser: > > You mentioned that Phil Myer's method of combining > the > three sides of his horn is not easily understood or > categorized. I've been to several Phil Myer's > masterclasses (he usually comes yearly to > Carnegie-Mellon U. in Pittsburgh) and have never > been > able to find much rhyme or reason to his fingering > choices - when I'm fortunate enough to be able to > see > his left hand. How would you summarize Phil's method > of using the triple? I ask because I use a Schmid > F/Bb/f much of the time, and although I have my own > system for combining the sides under different > conditions, I'm always interesting in hearing > someone > else's approach. > ------------------------------------------------------- > > No doubt the Perfector will provide good answers, > but actually Phil Myers > has told the story quite eloquently himself. One > just has to know where to > look: > > <http://www.osmun.com/reference/Myers-Schmid/Meyers1.html> > > As I interpret PM, he sees the triple horn as an > extended palette of > artistic expressivity options. > > Klaus > > _______________________________________________ > post: [EMAIL PROTECTED] > unsubscribe or set options at > http://music.memphis.edu/mailman/options/horn/hornhog%40yahoo.com > __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo _______________________________________________ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
