yes, yes, yes, that�s a common problem with those horn players who began
playing a Bb-brass instrument completely different to the horn as Tuba
(Yes, I know, Dr.Farkas began with Tuba also .....), and owning one
instrument after thze other never satisfied by their (real) horns, and
the (ego) problem of popping out certain notes ....  is that sooooo
important, just to please the ego ... isn�t music making  teamwork ???? 

I stuck with my first (self bought) double for at least ten years until
I developed designed my own double 27 years ago, - and still stick to
this horn. May-be it is a question of thze general approach to the horn
.....(no insult intended)



-----Original Message-----
Date: Sun,  8 May 2005 14:38:51 +0200
Subject: Re: [Hornlist] Horns that stand in F or Bb
From: Wilbert Kimple <[EMAIL PROTECTED]>
To: The Horn List <[email protected]>


--- G <[EMAIL PROTECTED]> wrote:
> Hi,
>
> Just out of curiousity...how many of you play a
> double horn that stands
> in Bb as opposed to F?
>
> Gary


Bb all the way since 1965.  I was a tuba major in
college, but changed to horn my freshman year.  My
teacher was Forrest Standly, who played his Schmidt
in Bb, and lent me one of his back up horns, which
was also in Bb.

Since that time I've owned Paxman, Hoyer, Knopf,
Geyer, Alexander, Finke, Schmidt, Schmid and other
horns, and they have all been in Bb.  Doesn't
matter if they are single, double, descant or
triple horns, Bb works for me, even playing fourth
part.

Did Brahms 4th and Carmen Suites 1 & 2 on our last
concert, and instead of my normal first position, I
chose to play fourth.  First has become boring
after thirty-five years.  No problem at all with my
Alex triple.  Those low Ds and even lower Gs popped
right out.  As my third player, who is quite young
said, "Awsome."


Wilbert in SC



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