Essentially the question boils down to the nature of each instrument - the 
piano, then as now was the preeminent concerto instrument beside the violin.  
Given the mechanical ability of the piano to play chromatically with no 
alteration in timbre, and the horn's inability to do the same without stopping, 
 one can see that the horn soloist has a much more difficult time in 
ornamenting the music greatly, whereas the pianist can go whizbang all over the 
keyboard.  Having said that, the true test of one's musicality was still how 
tastefully one decorated and changed the basic melody, not how bombastic one 
could get.  
  In regard to Herr Pizka's remarks, it is historically correct performance 
practice to mess around with the piano concertos, the master himself said so 
many times in his personal correspondence.  I agree that the horn concertos, 
except for cadenzas and the occassional little interpretive mordent or grace 
note, should be played the way the man wrote them.
  paxmaha

Bill Gross <[EMAIL PROTECTED]> wrote:
  To help me understand performance during Mozart period, the first question
is about this part of the review of the Mozart piano concerto.

07:09 AM CST on Friday, March 17, 2006
By OLIN CHISM / Special Contributor to The Dallas Morning News 
[. . .]

The most radical move toward Mozart's day is Mr. Levin's. He gives the DSO
more notes for its money, often playing along during orchestral tuttis
whereas most pianists sit them out, throwing in some little flourishes and
improvising the cadenzas. All this is documented from the old days.
[. . .]

If I understand Mr. Chism correctly, this improvisation by the pianist was
not unusual during Mozart age. From Hans answer to my original question,
this improvisation (if that is the proper term) was not the accepted
practice for horn players. Do these two statements accurately reflect the
way music was performed in this period?

If those statements are correct, why would one instrument play exactly as
the composer desired and the other improvised during a performance? 


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