Greetings, all

I am an amateur luthier in the final throes of setting up an 18th  
century French guitar shaped Bassot HG (one of only 3 we know to  
exist in the entire world) I have been restoring for my wife Barbara  
to play. I will have a few days off after the New Year and hope to be  
able to deliver her a playable instrument soon.  A few  questions:

1: How much does any uncottoned string actually touch the wheel? ie,  
does it skim the wheel barely touching upon it and producing sound?  
Does it ride ever so slightly above the wheel (perhaps the thickness  
or a zig zag paper) but no sound is produced?  Does it ride upon the  
wheel so heavily that sound is produced and (possibly) the vibrating  
length of  the string is shortened from bridge to the edge of the  
wheel?  Or what?

2: Barbara's  notes from an OTW class about HG setup and maintenance  
say: If the octave (ie the open g of a chanterelle against the octave  
g key with the tangents dead perpendicular to the string) is flat the  
nut should be moved toward the head. If it is sharp the nut should be  
moved toward the bridge. I'm just a guitar and banjo guy, but this  
doesn't make sense. Ie, lengthen the string to make it higher in  
pitch, shorten it to make it lower in pitch? HG musical physicists,  
can you make sense of this?

3: How much (if any) looseness is permissible in the keybox as the  
keys go though?

We have at hand, among other sources, the Destrem/Heidemannn book,   
the Muskett method book and the new Neil Brook video.

Any and all answers appreciated on or off list.

Thanks in advance for any assistance you can offer.



Craig Currier
[email protected]

"The entertainment business is a cruel and shallow money trench, a  
long plastic hallway where thieves and pimps run free, and good men  
die like dogs. There's also a negative side."

               -Hunter S. Thompson





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