Hi, all-
My experience in playing faires has been that the majority of folks  
who attend them as patrons (paying customers) have little to no  
interest in any kind of education whatsoever.  They want turkey legs,  
beer, cleavage and jousting.  And shopping- lots and lots of  
shopping.  Music is part of the ambiance, the back ground, the  
buildings and the costumes.  The more cleavage a costume shows the  
better and the same goes for the music.  The louder, sillier and more  
extravagant the music the more likely you are to draw a crowd, sell  
some cds and make tips.  If you are even remotely "authentic" people  
will listen, at most, for a moment or two and then wander on.  Ren  
faires are not even a little bit about education but about  
entertainment.  That is why a group of shirtless, kilted men playing  
Highland pipes and drums playing both traditional tunes and rock song  
covers will draw a huge crowd where an authentic and correctly  
presented group of excellent musicians will pull in maybe two or  
three people.

I'm not saying it's right or good or anything like that, it's just  
what ren faires are.  I think most of the people who go there have an  
idea that this is a fairy-land version of the Renaissance or Medieval  
times and again, have no intention of learning anything.  They don't  
care a whit about what it was actually like "back in the day," they  
just want to be distracted and entertained with sword fights,  
cleavage, horses, shiny things and food.

On the other hand, there are folks who really get into it and are all  
about the correct details and love every minute of the real stuff and  
support it enthusiastically.  It's just that there aren't as many of  
them as of the other kind.  These folks make a lot of effort to dress  
correctly and even attempt to speak correctly (sometimes with less  
success than others but points for trying) and they are the back bone  
of the ren faires.

Ren faires are only about making money and anything that gets folks  
in the gate and ready to part with their dough is what is going to  
fly.  Personally, I think Medieval paintball booths are heinous but  
if it helps support the recorder consort tootling in that little  
booth down the lane then whatever.

William and I have played faires on occasion and boy we are not even  
close to authentic.  We are loud and colorful and try to make people  
sing along and laugh- but we're only moderately successful at it.  I  
blame my lack of cleavage.  :)  Of course, if there were five of us  
with drums and shawms and could whirl around and be crazy that would  
really help.  We do make every attempt to sing songs and play tunes  
that would have been appropriate for the time- in other words, no  
rock song covers.  We do our own modern interpretation of them  
because we are not into the music for it's original shape and sound  
but for what we can do with it.  We tell people this when we talk  
about our cds or the gurdy.  I always point out that it's not a  
correct instrument for the time, that it's based on an 18 cent.  
instrument and go here on the internet for more information.  I  
figure anything that gets people interested in music other than the  
general schlock that's on the airwaves is a good thing.  My favorite  
memories of interacting with patrons about the gurdy was after Jimmy  
Page toured with Nigel Eaton (it was Nigel Eaton, wasn't it?) and I  
had pierced, mohawked and/or gothed-out punk boys in their teens come  
up to me and say, "I know what that is, it's a hurdy gurdy.  They're  
cool!"  ANYTHING that gets boys of that age interested in music out  
of the ordinary is a good thing.

Nice act, Jocelyn!  I hope I get to hear you live someday.

Felicia.


On Dec 10, 2009, at 10:24 AM, [email protected] wrote:

> Hello once more,
>
> there is only one problem I sometimes see with the music on the  
> medieval fairs. Usually the audience does not get the information  
> that what they are presented with is a creative anachronism, that  
> the performances are rather part the modern popular culture  than a  
> representation of the past.
>
> As this audience are "people who are not educated in music" they  
> cannot know the difference. They might go home beliving that this  
> is how music was back then, as it was presented to them by event  
> organizers pretending exactly this.
>
> Cheers,
>
> Simon
>
>
>
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