I second everything Felicia said

I play on the local equivalent of a ren fair and they are the same anywhere
in the world...

Augusto
Brazil

On Thu, Dec 10, 2009 at 5:16 PM, Felicia Dale <[email protected]>wrote:

> Hi, all-
> My experience in playing faires has been that the majority of folks
> who attend them as patrons (paying customers) have little to no
> interest in any kind of education whatsoever.  They want turkey legs,
> beer, cleavage and jousting.  And shopping- lots and lots of
> shopping.  Music is part of the ambiance, the back ground, the
> buildings and the costumes.  The more cleavage a costume shows the
> better and the same goes for the music.  The louder, sillier and more
> extravagant the music the more likely you are to draw a crowd, sell
> some cds and make tips.  If you are even remotely "authentic" people
> will listen, at most, for a moment or two and then wander on.  Ren
> faires are not even a little bit about education but about
> entertainment.  That is why a group of shirtless, kilted men playing
> Highland pipes and drums playing both traditional tunes and rock song
> covers will draw a huge crowd where an authentic and correctly
> presented group of excellent musicians will pull in maybe two or
> three people.
>
> I'm not saying it's right or good or anything like that, it's just
> what ren faires are.  I think most of the people who go there have an
> idea that this is a fairy-land version of the Renaissance or Medieval
> times and again, have no intention of learning anything.  They don't
> care a whit about what it was actually like "back in the day," they
> just want to be distracted and entertained with sword fights,
> cleavage, horses, shiny things and food.
>
> On the other hand, there are folks who really get into it and are all
> about the correct details and love every minute of the real stuff and
> support it enthusiastically.  It's just that there aren't as many of
> them as of the other kind.  These folks make a lot of effort to dress
> correctly and even attempt to speak correctly (sometimes with less
> success than others but points for trying) and they are the back bone
> of the ren faires.
>
> Ren faires are only about making money and anything that gets folks
> in the gate and ready to part with their dough is what is going to
> fly.  Personally, I think Medieval paintball booths are heinous but
> if it helps support the recorder consort tootling in that little
> booth down the lane then whatever.
>
> William and I have played faires on occasion and boy we are not even
> close to authentic.  We are loud and colorful and try to make people
> sing along and laugh- but we're only moderately successful at it.  I
> blame my lack of cleavage.  :)  Of course, if there were five of us
> with drums and shawms and could whirl around and be crazy that would
> really help.  We do make every attempt to sing songs and play tunes
> that would have been appropriate for the time- in other words, no
> rock song covers.  We do our own modern interpretation of them
> because we are not into the music for it's original shape and sound
> but for what we can do with it.  We tell people this when we talk
> about our cds or the gurdy.  I always point out that it's not a
> correct instrument for the time, that it's based on an 18 cent.
> instrument and go here on the internet for more information.  I
> figure anything that gets people interested in music other than the
> general schlock that's on the airwaves is a good thing.  My favorite
> memories of interacting with patrons about the gurdy was after Jimmy
> Page toured with Nigel Eaton (it was Nigel Eaton, wasn't it?) and I
> had pierced, mohawked and/or gothed-out punk boys in their teens come
> up to me and say, "I know what that is, it's a hurdy gurdy.  They're
> cool!"  ANYTHING that gets boys of that age interested in music out
> of the ordinary is a good thing.
>
> Nice act, Jocelyn!  I hope I get to hear you live someday.
>
> Felicia.
>
>
> On Dec 10, 2009, at 10:24 AM, [email protected] wrote:
>
> > Hello once more,
> >
> > there is only one problem I sometimes see with the music on the
> > medieval fairs. Usually the audience does not get the information
> > that what they are presented with is a creative anachronism, that
> > the performances are rather part the modern popular culture  than a
> > representation of the past.
> >
> > As this audience are "people who are not educated in music" they
> > cannot know the difference. They might go home beliving that this
> > is how music was back then, as it was presented to them by event
> > organizers pretending exactly this.
> >
> > Cheers,
> >
> > Simon
> >
> >
> >
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