PS
I meant the same pitch as the chanterelles. The string gauge is
anything between 27 and 32 thou.

Cheers
Mike
www.hurdygurdy.biz

On Aug 10, 11:12 pm, mike gilpin <[email protected]> wrote:
> Hi Mitch - you don't want a low G, it's a high G (same as the
> chanterelles). It's a bit zingy for my liking but is good to have if
> you've got 2 trompettes. You then have a choice. A low G would be very
> strange and possibly not very controllable. Have you heard the
> trompette on the Sonneurs De Vielle En Bretagne? That's a low D or
> maybe E. Very weird!
>
> If you want to know what a high G trompette sounds like, try tracking
> down the playing of Laurent Tixier in La Marienne. And I think
> Maurizio Martinotti of La Ciapa Rusa used high G as well.
>
> Anyway, I'd stick with the C/D trompette, ideally with a capo, but
> otherwise just tune the string up from C to D.
>
> Cheers
> Mikewww.hurdygurdy.biz
>
> On Aug 10, 5:02 pm, [email protected] wrote:
>
>
>
>
>
>
>
> > I don't normally play a gurdy in G/C tuning, and will be having a 3-chanter
> >  gurdy built that will play in both G/C and D/G. My question is, do G/C  
> > players prefer a trompette tuned to low G, or a trompette that switches
> > between  C and D via a capo system? I'm just wondering about that sound of 
> > the
> > coups  produced on that low G note as opposed to the somewhat higher C and D
> > notes. Is  it better, worse, or doesn't matter to players very much? I'd
> > rather not have a  second trompette installed to get the low G if there's 
> > no real
> > advantage to it,  but if it makes a distinctly better sounding coup, I'll
> > consider it.
>
> > Thoughts?
>
> > Thanks in advance,
> > Mitch Gordon
> > Guerneville, California, US

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