Hi Christa.

I just want to mention that Felicia's reaction was nothing unusual in
the situation. I've often done the same when people have opened
windows or doors next to my hammered dulcimer, as would anyone playing
a harp, khanun, valiha, or any other instrument that's similarly
sensitive to temperature & humidity change. (That included my violin
during the brief time that I tried using gut strings.) Stability and
ease of tuning are two good reasons why guitars and mandolins are so
popular.

What I've found with my gurdy in the 14 months I've had it is that the
more time I spend with it, the less time I have to spend adjusting and
tuning it. I was up to about 4 hours a day of gurdy time over the
summer, and could often just pull it out of the case, give each string
a quick tuning adjustment as I set it on the wheel, and I'd be off.
Now I'm lucky to get a couple of hours a week, and we're back to an
unpredictable time spent tweaking the bridges, cotton, rosin and
tangents every time I start. Some days I run out of gurdy time before
I have it where I want it. When that happens I just play a quick tune
on it (if there's time), whatever state it's in, before I put it away.
I'm confident now that, in the long run, any day I mess with it and
remind it what good set-up feels like is better than a day missed.

On Dec 19, 10:50 am, Christa Muths <[email protected]> wrote:

> ...
> I remember some years ago Felicitas Dale came to play in the U.K. I knew
> nothing about hurdies then. During the break I opened the window (which was
> next to her hurdy) because the air was very sticky. Felicitas ran over from
> the other side of the room, calling out: "Please don't open the window,
> please shut it. My hurdy doesn't like it!"
>
> I was totally confused and not quite sure wether I had heard correctly or
> wether she was somehow  from a very different planet.    ...
>
> Christa

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