HI Rique:

I find a good habit to cultivate is to turn the wheel a little more rapidly 
when playing those upper notes (especially #10 diatonic & higher).   Even on 
slow plassages, a faster wheel rotation can even out things and give more 
consistency to intonation.   There's also cotton, rosin, & shims, but I'm 
guessing you likely already know about since you seem savvy on how to fix 
sticky keys.

Cheers
George

----- Original Message ----- 
  From: Rique Meirelles 
  To: [email protected] 
  Sent: Monday, July 02, 2012 10:18 AM
  Subject: [HG-new] About the perfect pitch




  Hey, folks.


  As some of you may already know, I'm a begginer who's basically alone with my 
gurdy in Brazil (I do have Augusto around, but he lives kind of far from my 
city - plus, we play in different tunings). Anyway, I've been able to overcome 
some bothersome problems such as sticky keys and some maintenance issues, but 
there's this one tiny detail I can't seem to vanquish so soon: the two 
chantarelles playing  high notes together. I mean, the first keys are ok, I 
don't have that much trouble on the first octave an a couple of notes after it, 
but the really high-pitched notes are really hard to play when both strings are 
on.


  How were you able to achieve a pleasent sound when playing those keys? Any 
tips?




  Kind regards,




  Rique

  -- 
  "For he comes, the human child,
  To the waters and the wild
  With a faery hand in hand,
  From a world more full of weeping
  than he can understand."

  The Stolen Child - William Butler Yeats -


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