Hi Rique,

As with anything concerning a gurdy there is no straight and simple answer. 
The factors surrounding this difficulty that you have are well explained in 
previous posts: - Amount of Rosin, amount of cotton, string pressure on the 
wheel, 'trueness' of the wheel, alignment of the strings across the wheel, 
speed of turning the wheel when playing in the upper octave and type of 
strings. 

What type of music are you wanting to play? What strings are you using? 
Gut, metal or synthetic? What tensions are they? Light, medium or soft?

If you are wanting to be able to play in the upper register without the 
stress of thinking "Is it going too sound harsh" and the strings you are 
using are causing this, then one way to eliminate these multiple factors is 
by changing one factor at a time and seeing what the effect has on the 
sound you are wanting to achieve. 

The way in which I would approach this is by first "refreshing the wheel". 
That is remove the rosin you have on the wheel (having lifted all strings 
off the wheels surface). The way in which I was shown was too use a 1000 
grade 'Emery' paper (used for polishing metal) hold it firmly on the wheel 
and turn it fast for a few seconds. You will find on the paper a dark build 
up of the rosin you have taken off with a lighter lesser amount of fine 
wood dust from the wheel. Taking a lint free cloth hold this on the wheel 
and turn a few times to clean any remaining dust particles off. Taking your 
rosin block hold it onto the wheel and turn the handle a few times to apply 
a 'fresh' layer of rosin. Finally taking the lint free cloth again hold it 
on the wheel firmly and 
turn the wheel fast to remove any excess rosin.

Place your melody strings back on the wheel and see whether it has improved 
the sound or eliminated completely the harshness? If so, then the reason 
was too much rosin. If not...

Raise the string by adding a thin shim under the strings at the bridge end, 
tuning back up and seeing if there is a change in the sound in the upper 
register?

If not....

Replace the cotton slivers that you have wrapped around your strings, as 
when you rosin a wheel it builds up in the cotton and can cause the sound 
to become harsh in the upper register.

If this works then everything is fine. If not...

Check if the string is lying flat across the surface of the wheel? If it is 
raised at one edge of the wheel or the other this will have a big influence 
on the play-ability of the upper register. To solve this is by a slow 
process of trial and error of adding and removing shims at both the bridge 
and nut to get the string to lie flat across the wheel when tuned to the 
note you require. Your instrument maker will be able to give you further 
and more experienced advice on how to achieve this.

If still no improvement on the sound which you are looking for, then you 
may want to try a lighter tension string for your instrument or different 
material of string. 

Finally, the advice of turning the wheel slightly faster when playing in 
the upper register is true and can help a lot.

Regards

Andrew




On Monday, July 2, 2012 6:18:14 PM UTC+1, Rique Meirelles wrote:
>
>
> Hey, folks.
>
> As some of you may already know, I'm a begginer who's basically alone with 
> my gurdy in Brazil (I do have Augusto around, but he lives kind of far from 
> my city - plus, we play in different tunings). Anyway, I've been able to 
> overcome some bothersome problems such as sticky keys and some maintenance 
> issues, but there's this one tiny detail I can't seem to vanquish so soon: 
> the two chantarelles playing  high notes together. I mean, the first keys 
> are ok, I don't have that much trouble on the first octave an a couple of 
> notes after it, but the really high-pitched notes are really hard to play 
> when both strings are on.
>
> How were you able to achieve a pleasent sound when playing those keys? Any 
> tips?
>
>
> Kind regards,
>
>
> Rique
>  
> -- 
> "For he comes, the human child,
> To the waters and the wild
> With a faery hand in hand,
> From a world more full of weeping
> than he can understand."
>
> The Stolen Child - William Butler Yeats -
>

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