Hello Kim,

I play a symphony made by Chris Allen. It has one drone string, two melody
strings and one trumpet string and it is chromatic over 2 octaves. I am
very content of this instrument because of the fine tone and its
reliability, it works perfectly. It is more quiet than larger hurdies,
making it a fine instrument for accompaying a singer. However, in a mix of
instruments it can be heard better than I would expect. I have no
experience with amplification of the symphony. I have tuned the drone to d
with a capo to g, the melody strings to c' (very useful for medieval modal
music) and the trumpet to d'.

I would strongly advice you to choose an instrument with a trumpet string.
Then you can decide where to use it. The first appearance of a trumpet
string on a hurdy gurdy in pictures is in "the garden of earthly
delights"of Jeroen Bosch of about 1500, as you will know probably, but in
late medieval instruments, often a facility for supplying a rattling to the
sound is incorporated, so I think that more primitive predecessors of the
trumpet string might have been used earlier, and, anyhow, I think that
using a trumpet string in some medieval music may be appropriate, so I use
it when I like it. Although I have only restricted capabilities on the
trumpet string, it makes my playing more attractive for most listeners.

I also play the Aachen, a hurdy gurdy that has been made by Chris Allen
especially for medieval music. This might be an interesting option for you
as well. It has a beautiful sound, somewhat louder than the symphony and it
works fine. I have 2 drones (G and d'), two melody strings (in principle
also in c' as on my symphony but with a very useful lower extension to a)
and one trumpet string in a with capo to d'. In fact I have 3 more capos,
but I seldom use these.
You can hear it on
http://www.youtube.com/watch?v=nR_R3FhkQ4E
with explanations and demonstrations on
http://www.youtube.com/watch?v=K0J41t_XV5g
http://www.youtube.com/watch?v=9j1KmZuU-dw
http://www.youtube.com/watch?v=1ciEmQOZlAs
http://www.youtube.com/watch?v=_hAvGYyrKCY

Good luck with finding a suitable hurdy gurdy!

Ernic
2013/3/26 Kim Browers <[email protected]>

> Hello all!
>
> I'm a brand new member, who has been agonizing over not owning a hurdy
> gurdy for about 15 years.  It's time to invest!  I am specifically
> interested in the Symphony models for their quietness, simplicity of keys
> for a beginner (diatonic vs. chromatic scale, 3-4 strings, and generally
> lacking trompette), primary source references from the Cantigas de Santa
> Maria, and appropriateness for period Medieval music.  However, I also play
> a variety of ethnic music, and would like to be able to play both of
> these genres on the same instrument if possible. I'm concerned about the
> versatility of the Symphony for all those purposes, especially with Maqams
> and scales that require chromatics and microtones.  I have seen some
> Symphony models that have been modified to suit a more modern musician,
> with pickups, trompettes, etc.  But I don't know if that would compromise
> the integrity of use as a Medieval instrument, or if some of those things
> get a free pass in our modern age. :)  Can I even have both Medieval and
> modern ethnic appropriateness on the same instrument?  I was referred to
> this group to discuss the pros and cons of these particular models, and
> find a reliable manufacturer if I still decide this is the instrument for
> me.  Does anyone own this variety of instrument, or have you played one?
> Any tips for a true novice?
>
> Yours in thanks,
> Kim
>
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