looking for a hurdy gurdy maker  or seller in spain. I am in Madrid ... Any
contacts? thanks

[email protected]


On Sat, Apr 26, 2014 at 12:36 AM, <[email protected]> wrote:

>   Today's topic summary
>
> Group: http://groups.google.com/group/hurdygurdy/topics
>
>    - All quiet on the list <#1459b07fa1bee614_group_thread_0> [11 Updates]
>    - question about strings and tuning <#1459b07fa1bee614_group_thread_1>[5 
> Updates]
>    - Gurdy by Robert Mandel available <#1459b07fa1bee614_group_thread_2>[2 
> Updates]
>    - music sources <#1459b07fa1bee614_group_thread_3> [1 Update]
>    - sticky keys <#1459b07fa1bee614_group_thread_4> [6 Updates]
>
>   All quiet on the 
> list<http://groups.google.com/group/hurdygurdy/t/b307be4dffaa42c2>
>
>    Arle Lommel <[email protected]> Apr 25 04:49AM -0700
>
>    I'm curious what's happened to the group here. It's now almost six
>    weeks
>    since the last post and this used to have many posts a day. Have
>    people
>    moved to other venues (e.g., Facebook) or has interest just simply
>    dropped
>    off? I know some of the “old timers” moved on a while back, but we
>    used to
>    get great discussions about all sorts of technical questions and
>    playing
>    technique here.
>
>    Best,
>
>    Arle
>
>
>
>
>    Ulrich Joosten <[email protected]> Apr 25 01:53PM +0200
>
>    I’m still alive’n’kickin’, Arle. As you said: at the moment it is
>    quiet. Me personally I am very busy with other things (e.g. promoting my
>    book „Der Weg des Spielmanns“ that just was publisehd) or making music with
>    my band. So this is at least a „sign of life“ on the list. Are you still
>    located in Berlin?
>
>    Cheers,
>    Uli
>
>
>
>
>
>
>
>    Arle Lommel <[email protected]> Apr 25 01:54PM +0200
>
>    Yep, still in Berlin, at least through July (and, we hope, another
>    year).
>
>    -Arle
>
>
>
>
>
>
>    Ulrich Joosten <[email protected]> Apr 25 02:03PM +0200
>
>    Great, Arle,
>
>    if you happen to come to Cologne, let me know!
>
>    Have a great time and a nice weekend!
>
>    Best,
>    Uli
>
>
>
>
>
>    DEREK LOFTHOUSE <[email protected]> Apr 25 06:30AM -0600
>
>    combination of things I think
>    There is (at least one) a facebook group. Its fairly busy, but not the
>    depth of technical info and discussions that used to occur here.
>    Alot of the posts here used to originate with people connected with
>    the Over the Water festival, after the last one in 2010 most of those
>    people seemed to lose interest/drift away/move on to other things.
>    I know there used to be a UK based list also, i never joined it so I
>    cant tell you if it has died also.
>
>    The death of this group isnt unique though,the wooden flute, irish
>    music and northumbrian pipes chat groups have also basically vanished also.
>    Other groups i am in have also moved to different venues.
>
>    Derek
>
>    ----- Original Message -----
>    From: "Arle Lommel" <[email protected]>
>    To: [email protected]
>    Sent: Friday, April 25, 2014 5:49:16 AM
>    Subject: [HG-new] All quiet on the list
>
>
>    I'm curious what's happened to the group here. It's now almost six
>    weeks since the last post and this used to have many posts a day. Have
>    people moved to other venues (e.g., Facebook) or has interest just simply
>    dropped off? I know some of the “old timers” moved on a while back, but we
>    used to get great discussions about all sorts of technical questions and
>    playing technique here.
>
>
>    Best,
>
>
>    Arle
>
>    --
>    --
>    You received this message because you are subscribed to the Google
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>    To post to this group, send email to [email protected]
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>
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>
>
>
>
>    Harry Wass <[email protected]> Apr 25 11:24PM +1000
>
>    Maybe too many questions too much talk takes the magic out of things
>    what
>    do you think?
>
>
>    --
>    Harry Wass
>    <http://medieval.instruments.googlepages.com>
>    [email protected]
>
>
>
>
>    Billy Horne <[email protected]> Apr 25 07:39PM +0300
>
>    Hi, Sometimes no news is Good news.I have found in the past many groups
>    have their Ups and Downs. It should not be a Sign that the Group is
>    dead,
>    it's resting like We all do or should. I'm busy,steady,but Happy.
>    Billy Horne
>
>    On Friday, April 25, 2014, Harry Wass <[email protected]>
>    wrote:
>
>
>    --
>    Sent from Gmail Mobile
>
>
>
>
>    Elizabeth Gilmore <[email protected]> Apr 25 10:17AM -0700
>
>    What is the address for posting? I hae a few novice questions to ask
>    the
>    cloud... thanks Beth
>
>
>
>
>
>
>    Melissa Kacalanos <[email protected]> Apr 25 01:35PM -0400
>
>    I've recently realized that most emails from this and other lists wind
>    up in my junk folder here at yahoo mail. If this is happening to others,
>    that would put a damper on conversations.
>
>    I also suspect that Facebook has taken over a large part of the
>    internet conversation niche, although it's not ideal. There's a great, very
>    active Elizabethan Costuming group there, for instance, but the members
>    often complain about the awkward search function. They're all still there,
>    though. If there's a Facebook hg group as active as this email list used to
>    be, I haven't found it.
>
>    Melissa the Loud
>    Performing at the Georgia Renaissance Festival this spring.
>
>
>
>
>
>
>
>    Leonard Williams <[email protected]> Apr 25 04:53PM -0400
>
>    I've not been much of correspondent (more a lurker), but I've always
>    found the list to be a good source of all kinds of related information:
>    technical problems, playing technique, music sources, gigs, etc. I hope
>    it hasn't gone by the wayside.
>
>    Regards,
>    Leonard Williams
>
>
>
>
>
>
>    Alden Hackmann <[email protected]> Apr 25 03:28PM -0700
>
>    I think the list is doing just fine. We have often experienced periods
>    of
>    relative quiet in the past and then things pick up. I think that
>    spring is
>    a time of year when we all have a lot happening. Also, we are maturing
>    as
>    a group of players and most of us have a pretty good grasp of the
>    basics
>    and beyond so things are not quite as urgent as they were when we first
>    started the list. In addition, social media takes up time and energy
>    so........Things are okay, just keep talking about the events you are
>    involved in with the instrument and the list will stay active and
>    healthy.
>
>    Cali Hackmann
>
>
>
>
>
>   question about strings and 
> tuning<http://groups.google.com/group/hurdygurdy/t/c970b0be87974e62>
>
>    Norm Sohl <[email protected]> Apr 25 05:28PM
>
>    I've always treasured this list in particular as a source of excellent
>    technical advice - so here is a technical question.
>
>    My instrument is currently tuned G/C with the two chanters tuned to
>    the typical g’. Since one of the chanters broke, I’ve been thinking of
>    replacing it with a string that would sound an octave below the g’ to get a
>    richer sound.
>
>    so far the viola string I purchased is too large to fit in the
>    tailpiece, and I am reluctant to enlarge the hole without further
>    discussion of the topic - so, what do you all think? Is this a reasonable
>    modification, are there good strings I should be considering, are there
>    better ways to get a lower sound (like a different tuning entirely)?
>
>
>
>    Sent from Windows Mail
>
>
>
>
>    Graham Whyte <[email protected]> Apr 25 07:06PM +0100
>
>    A Savarez medium viola g ? wound on stabilon string (ref 733M) is
>    actually slightly thinner than a gut g'
>
>    It works reasonably well but not superbly
>
>    I use hand made NRI wound strings at my choice of weight (also thinner
>    than gut g')
>
>    They are close wound silver plated copper wound on gut (Colum 5, 68
>    thou)
>
>    Not cheap but superb rich sound, play perfectly all the way to the top
>    of octave 2
>
>    Having octave chanters is great, you get 3 different melody sounds
>
>    Graham
>
>    On 25/04/14 18:28, Norm Sohl wrote:
>
>    I've always treasured this list in particular as a source of excellent
>    technical advice - so here is a technical question.
>
>    My instrument is currently tuned G/C with the two chanters tuned to
>    the typical g'. Since one of the chanters broke, I've been thinking of
>    replacing it with a string that would sound an octave below the g' to get a
>    richer sound.
>
>    so far the viola string I purchased is too large to fit in the
>    tailpiece, and I am reluctant to enlarge the hole without further
>    discussion of the topic - so, what do you all think? Is this a reasonable
>    modification, are there good strings I should be considering, are there
>    better ways to get a lower sound (like a different tuning entirely)?
>
>    Sent from Windows Mail
>
>    --
>
>    --
>
>    You received this message because you are subscribed to the Google
>
>    Groups "hurdygurdy" group.
>
>    To post to this group, send email to [email protected]
>
>    To unsubscribe from this group, send email to
>
>    [email protected]
>
>    For more options, visit this group at
>
>    http://groups.google.com/group/hurdygurdy
>
>    The rules of posting, courtesy, and other list information may be
>    found at http://hurdygurdy.com/mailinglist/index.htm. To reduce spam,
>    posts from new subscribers are held pending approval by the webmaster.
>
>    ---
>
>    You received this message because you are subscribed to the Google
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>
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>
>    For more options, visit https://groups.google.com/d/optout.
>
>
>
>
>    Bruno Fournier <[email protected]> Apr 25 02:18PM -0400
>
>    Use a a viola G wound string, crystal core.. works very well
>
>    Bruno
>
>
>
>
>
>
>    Alden Hackmann <[email protected]> Apr 25 12:31PM -0700
>
>    I like to use a Tomastik Vision violin g. It is fairly short and will
>    not
>    work with some of the longer scale length instruments, but works on
>    all of
>    ours and most of the commonly made French instruments.
>
>    ----Cali
>
>
>
>
>
>
>    Arle Lommel <[email protected]> Apr 25 11:07PM +0200
>
>    Others have answered your question about string types, but to answer
>    your other question about modifications there is an easy and absolutely
>    non-invasive solution to your problem: you can always tie a short extension
>    of a lighter string (or even fishing line) to the end of the string (really
>    easy with a ball-end string if you have one) and then run that through the
>    tailpiece. It needs to be short, but as long as you don’t have the silk
>    overwound part of the string past the bridge, you’ll be fine.
>
>    If you have a ball-end you simply feed the light string through ball
>    and then feed both ends of the lighter string through the hole in the tail
>    piece and knot them as appropriate after they are through the hole. If that
>    doesn’t make sense, let me know and I can make you a drawing (it’s super
>    simple).
>
>    The best knots to do this depend on the type of string end (and string
>    material) you’re dealing with, but as long as you can securely grab the
>    string with your lighter piece of string and run the extension through the
>    tailpiece, you should be fine. I’ve done this a number of times with no
>    problem.
>
>    I’d also second the recommendations for octave tuning. My own
>    instrument has three chanterelles, and is tuned g g’ d’’. I don’t use the
>    d’’ very much, but the combination of all three sounds fantastic for
>    certain kinds of music. (I did an arrangement of Granados’ Spanish Dance
>    No. 2 where the three together is just fantastic). In my playing I tend to
>    treat the different chanter strings the way an organist would treat
>    different stops: by selecting them I have up to seven timbre combinations I
>    can use for different things.
>
>    Best,
>
>    Arle
>
>
>
>
>   Gurdy by Robert Mandel 
> available<http://groups.google.com/group/hurdygurdy/t/8ce13999b3888451>
>
>    Arle Lommel <[email protected]> Apr 25 09:22AM -0700
>
>    I have information on a hurdy-gurdy by Robert Mandel for sale. For
>    some
>    reason I cannot post information about it to the list: I've tried
>    twice and
>    both times it simply vanished. If someone is looking for a unique
>    gurdy
>    from a well-known maker, let me know and I'll email you more details.
>    And
>    maybe later my posts will show up if it's just a matter of Alden
>    authorizing it.
>
>    -Arle
>
>
>
>
>    Rob <[email protected]> Apr 25 01:06PM -0700
>
>    hi all
>    here is a blog post that includes a sound clip / more photos to come!
>
>
>    
> http://hurdygurdyweekly.blogspot.com/2014/04/for-sale-renaissance-vielle-by-robert.html
>
>    cheers!
>    Rob Cherwink
>
>    The Hurdy Gurdy Weekly • #HGWeekly > http://tinyurl.com/HGWeekly
>
>    • facebook ( you are invited! / invite your friends! ):
>    https://www.facebook.com/HurdyGurdyWeekly
>
>    • youtube: http://www.youtube.com/channel/UCLQpoaUGjfVnEPX7HbjVmZw/
>
>    • blog: http://hurdygurdyweekly.blogspot.com/
>
>    • twitter: https://twitter.com/search?q=%23HGWeekly&f=realtime
>
>    * to contribute to the paper: please tweet URLs using #HGWeekly, like
>    and post to the page on facebook, or email (see newsletter or blog) -
>    please share your events and favorite articles, photos, and videos! ~ thank
>    you - please enjoy!
>
>
>    On Apr 25, 2014, at 9:22 AM, Arle Lommel wrote:
>
>
>
>
>   music sources<http://groups.google.com/group/hurdygurdy/t/49e5b3fa761386df>
>
>    Elizabeth Gilmore <[email protected]> Apr 25 12:13PM -0700
>
>    Hi all, I am not ty]ied to sheet music to learn tunes.. but i would
>    like
>    to collect addresses of places where good hg music could be found... I
>    am
>    interested in medieval, elizabethan, english country, celtic (french,
>    irish, breton, welsh) , french canadian types of music...
>
>    any suggestions? they can be video or sheet music...thanks!!
>    has this hg for some time, and just havent gotten started on it.(I
>    think Im
>    a little intimidated by it...)
>
>    Beth Gilmore
>
>
>
>   sticky keys<http://groups.google.com/group/hurdygurdy/t/860d12d8d0877b7a>
>
>    Elizabeth Gilmore <[email protected]> Apr 25 10:41AM -0700
>
>    Hello all.. I bought a hg recently, it was made brand new for me...
>    some of
>    the wooden keys are binding on the hole that they slice through... is
>    it
>    okay to apply a small bit of parafin wax to them to help them slide?
>    Or..
>    what do you use? or suggest?
>
>
>
>
>    Geoff Turner <[email protected]> Apr 25 06:42PM +0100
>
>    Graphite pencil is what I would recommend.
>
>    Geoff Turner (uk)
>
>    Sent from my Windows Phone
>    ________________________________
>    From: Elizabeth Gilmore<mailto:[email protected]>
>    Sent: ‎25/‎04/‎2014 18:41
>    To: [email protected]<mailto:[email protected]>
>    Subject: [HG-new] sticky keys
>
>    Hello all.. I bought a hg recently, it was made brand new for me...
>    some of
>    the wooden keys are binding on the hole that they slice through... is
>    it
>    okay to apply a small bit of parafin wax to them to help them slide?
>    Or..
>    what do you use? or suggest?
>
>    --
>    --
>    You received this message because you are subscribed to the Google
>    Groups "hurdygurdy" group.
>    To post to this group, send email to [email protected]
>    To unsubscribe from this group, send email to
>    [email protected]
>    For more options, visit this group at
>    http://groups.google.com/group/hurdygurdy
>
>    The rules of posting, courtesy, and other list information may be
>    found at http://hurdygurdy.com/mailinglist/index.htm. To reduce spam,
>    posts from new subscribers are held pending approval by the webmaster.
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>
>
>
>
>    Elizabeth Gilmore <[email protected]> Apr 25 10:44AM -0700
>
>    Geoff... as in "pencil"? can I just color it a bit with a pencil? Beth
>
>
>
>
>
>
>    Bruno Fournier <[email protected]> Apr 25 01:55PM -0400
>
>    HB pencil, you need graphite, not parrafin...
>
>
>    Bruno
>
>
>
>
>
>
>    Scott Gayman <[email protected]> Apr 25 10:57AM -0700
>
>    Use a soft lead pencil or a standard yellow type nothing harder.
>    Graphite for pencils is cut with clay to harden it so softer is better
>    (less clay)
>    Rub it on the key just in front of the key slot in the keybox. Do so
>    for both front and rear slots. You may want to push in firmly on the key
>    and rub some on the key inside of the keybox as well as the key end that
>    sticks out the back.
>    Use it pretty liberally but don't get it all over everything. Only add
>    it to the portion of the key that actually goes through the slot when you
>    play.
>    If the sticking persists you may need to remove the key and sand it
>    down a bit. They swell and contract with the weather, especially those that
>    aren't made from ebony or rosewood.
>
>    Scott
>
>
>    --
>    Sent from my Android device with K-9 Mail. Please excuse my brevity.
>
>
>
>
>    Scott Gayman <[email protected]> Apr 25 10:58AM -0700
>
>    Agreed no wax of any type.
>
>
>    --
>    Sent from my Android device with K-9 Mail. Please excuse my brevity.
>
>
>
>  --
> --
> You received this message because you are subscribed to the Google
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> To unsubscribe from this group, send email to
> [email protected]
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>
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