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Article Title: All That Jazz: What's It All About?
Author: John Blackwood
Category: Music, Hobbies
Word Count: 760
Keywords: jazz guitar lesson, jazz guitar lessons
Author's Email Address: [email protected]
Article Source: http://www.distributeyourarticles.com
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What does 'jazz' mean to you? Even the word is controversial. Where does it 
begin, what is it? There seems to be no clear definition. Some attempts have 
been made at defining jazz as as truly American art form, but this belies the 
influence of virtuoso performers like Django Rheinhardt and Stephane Grapelli. 
 
Others believe that jazz is a performers art -  a musical genre where 
improvisation is the norm, and a piece should never be played the same way 
twice, but this is a view through modern eyes. Every generation believe they 
have discovered something new, so is jazz truly a new musical form? 
  
For most of musical history, professional musicians have been required to be 
skilled in the art of improvisation. Many of the most famous composers were 
also well known performers and highly skilled at improvisation. Bach and Handel 
were known for their abilities as was Mozart. Beethoven often played pieces by 
Bach, adding improvisations of his own when performing in the salons of the 
nobility, while Liszt was also known as a virtuoso  with an amazing ability to 
improvise. 

It was only in the late 19th and 20th centuries that musicians were expected to 
be skilled in reading music and reproduce exactly what was written, without 
further ornamentation. So if improvisation is an age old skill, what, if 
anything is different about Jazz? 
 
It may be a question of degree. While earlier composer/performers would create 
wholly improvised variations on a theme, it was not normal to abandon the theme 
altogether, as sometimes happens in jazz.  Much has been made of the fact that 
early jazz musicians were often unable to read music, but this is hardly an 
argument since throughout history, many 'professional' musicians have been 
similarly ignorant of musical notation. 
 
So what makes Jazz different? According to many, the time signature or 'swing' 
of jazz is what sets it apart, but the truth may lie in the apparent tension 
between popular jazz and 'art jazz'.  The academic analysis of jazz has created 
boundaries for the genre which may be entirely artificial. Most dangerous of 
all, it is possible that the academic influence will make jazz respectable. 
 
For much of the appeal of jazz is in it's 'bad boy' past, a past where no 
distinct point of origin is obvious. Although there seems to be a connection 
with African music, the only clear point of similarity is the incorporation of 
'blue' notes, notes which can only be produced on instruments with continuous 
variations in pitch (like the guitar).  

Blues music was heavily influenced by ragtime and the music played on banjo and 
in vaudeville. The instruments of marching bands became the staple instruments 
of jazz and in 1915, the first jazz arrangement in print was 'jelly roll 
blues'. 
 
>From 1920-1933 the sale of alchohol in public places was banned in the USA. In 
>this era of 'prohibition' jazz music was heard in all the underground bars and 
>'speakeasies' giving the music a decidedly sinful association. One Princeton 
>professor described jazz as 'an irritation of the nerves of hearing.' 

In the 1930, European jazz surfaced notably with the Quintette du Hot Club de 
France. European jazz had a gypsy influence and concentrated on the stringed, 
rather than wind instruments, the violin, the guitar and the double bass. From 
there bebop, modal jazz and cool jazz all developed. 
 
In the late 1950's a movement called 'free jazz' began, breaking all the 
boundaries of beat, creating a style which some describe as 'orgiastic'. 
Sometimes criticised as too avant-garde, free jazz is viewed by some as a 
return to the true roots of the genre, or in some way mystical. Musicians 
attempt to extract new and different sounds from their instruments, increasing 
their improvisation technique, but abandoning the traditional 4/4 tempo of most 
jazz pieces for an irregular beat. 
 
Creative jazz, jazz funk, jazz fusion, modern jazz, and try to put a boundary 
around a style which essentially has none. Is jazz as wild and original as it's 
proponents seem to believe? Probably not. Is Jazz an intellectual movement in 
music, deeply subversive but eminently academic? 

Once again, probably not. You can be pretentious about anything, music is not 
immune. What jazz is, is a wonderful, liberating musical form, which, with 
today's emphasis on music as a composers art, gives vent to the soul of the 
musician and provides a framework for improvisation. 
 
Duke Ellington famously said 'It's all music', but if you find the dangerous 
world of sensational jazz calls to you, why wait? Perhaps you need Jazz Guitar 
lessons?

John Blackwood, the man behind http://rockguitarlesson.org
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