Dear Lyne,

Many thanks for your very kind help. Your list of personal publications is most 
impressive and valuable.

All the best,
Howard

> On Aug 19, 2024, at 3:24 AM, Lyne Bansat-Boudon 
> <[email protected]> wrote:
> 
> Dear Howard,
> 
> I have not investigated  Rūpa’s theory.  But, what I can say is that, from 
> the point of view of theNāṭyaśāstra and Abhinavagupta thereon, 
> sthāyibhāvas and sāttvikabhāvas are by no means "ecstatic states". They 
> are  elements of the mechanics of passions which serves as the foundation of 
> the rasa theory.
> 
> More, perhaps, in
> 
> my book "Poétique  du théâtre indien" (EFEO 1992).
> 
>  2. (2004) Pourquoi le théâtre ? La réponse indienne. Les Quarante 
> piliers. Paris : Mille et une nuits. 293 p.
> 
> 3. (1992). « Le sentiment contemplé. Remarques sur la poésie dans les 
> spéculations indiennes ». In :Poétique 92, p. 419-425.
> 
> 4. You can see also, for another category: « Les sāttvikāl̇ankāra.Un 
> théâtre de la séduction ». In : Journal asiatique 279 (1-2), p. 199-226 
> —provided you have the courage to read French!
> 
> As for the "ecstatic states" (what is the sanskrit word in Rūpa?), I would 
> rather suggest you have a look on an English paper of mine, in which I deal 
> with "extreme experiences", or "hyperesthesia".  There I also deal  with the 
> elements of the rasa theory, p. 84, n. 27). Here is the reference:
> (2022). « The Surprise of Spanda. An Aesthetic Approach to a Phenomenology of 
> Transcendence (Rāmakaṇṭha ad Spandakārikā 2.6 [1.22/22]) ». In : 
> ‘Verità e bellezza’. Essays in Honour of Raffaele Torella. Sous la dir. de 
> Francesco Sferra et Vincenzo Vergiani. Napoli : UniorPress, p. 73-101.
> If you have difficulty finding these articles, and if you are in any way 
> interested, let me know, I will manage to send you their pdf.
> 
> 
> Best wishes,
> 
> Lyne 
> 
> 
> 
> Lyne Bansat-Boudon
> Directeur d'études pour les Religions de l'Inde
> Ecole pratique des hautes études, section des sciences religieuses
> Membre senior honoraire de l'Institut universitaire de France
> 
> De : INDOLOGY <[email protected] 
> <mailto:[email protected]>> de la part de Howard Resnick 
> via INDOLOGY <[email protected] 
> <mailto:[email protected]>>
> Envoyé : lundi 19 août 2024 00:09
> À : Isvara Krishna <[email protected] <mailto:[email protected]>>
> Cc : Indology List <[email protected] 
> <mailto:[email protected]>>
> Objet : Re: [INDOLOGY] Anaysis of ecstasy
>  
> Thank you! Very helpful.
> 
> I’m still interested to know if there are close analogies in earlier writing 
> with Rupa’s method of analyzing ecstatic states, for example comparing 
> various emotional states to the physical elements, such as earth, water, 
> fire, air etc. Or, are there analogies to his categories of sāttvika-bhāva 
> and sthālyi-bhava? Etc.
> 
> I am distinguishing here between two related but discrete systems: that of 
> rasa, and that of ecstatic states.
> 
> Any help here is welcome.
> 
> Best wishes,
> Howard
> 
> > On Aug 18, 2024, at 11:59 AM, [email protected] 
> > <mailto:[email protected]> wrote:
> >
> > Dear Howard,
> >
> > You write:
> >
> > "Rūpa borrowed an analytic structure that is traced first to Bharata Muni, 
> > at least 1500 years before Rupa, and then to Abhinavagupta who 
> > significantly developed and refined rasa-vicāra at least 500 years before 
> > Rūpa. "
> >
> > According to my research, there were two parallel versions of medieval rasa 
> > schools; Abhinavagupta representing the Vivarta version and Bhoja 
> > representing the parinama version. Clearly, Rupa has developed his theories 
> > based upon Bhoja's parinama version of aesthetics.
> >
> > More on this in my book "The Fifth Veda in Hinduism; Poetry, Philosophy and 
> > Devotion in the Bhagavata Purana:  
> > https://www.bloomsbury.com/uk/fifth-veda-of-hinduism-9781784531997/
> >
> > I hope it helps and all the very best,
> >                                                                          
> > Ithamar
> >
> >
> >
> > ----------------------------------------
> > Prof. Ithamar Theodor
> > Indian Studies
> > Zefat Academic College
> > [email protected] <mailto:[email protected]>
> > Recent Publication: Special Issue on Gandhi, Israel and the Jews
> > https://link.springer.com/journal/11407/volumes-and-issues/27-3
> >
> >
> >
> >
> >
> >
> > -----הודעה מקורית-----
> > מאת: INDOLOGY <[email protected] 
> > <mailto:[email protected]>> בשם Howard Resnick via 
> > INDOLOGY
> > נשלח: יום א 18 אוגוסט 2024 05:29
> > אל: Indology List‏ <[email protected] 
> > <mailto:[email protected]>>
> > נושא: [INDOLOGY] Anaysis of ecstasy
> >
> > Dear Scholars,
> >
> > I would appreciate help with the following. In the Gauḍīya Vaiṣṇava 
> > tradition, especially in works of Rūpa Gosvāmī (1489–1564) such as 
> > Bhakti-rasāmṛta-sindhu, but elsewhere too, there are systematic, technical 
> > descriptions of ecstatic states, such as the aṣṭa-sāttvika-bhāvas etc.
> >
> > We know that in another, related analytic system, that of rasa-vicāra, 
> > analysis of primary and secondary ‘rasas’ or mood/flavor of personal 
> > relationship, Rūpa borrowed an analytic structure that is traced first to 
> > Bharata Muni, at least 1500 years before Rupa, and then to Abhinavagupta 
> > who significantly developed and refined rasa-vicāra at least 500 years 
> > before Rūpa. Yet, as Gary Tubb once said to me, Rūpa, with real genius, 
> > applied to Kṛṣṇa this already ancient system of rasa analysis and 
> > classification.
> >
> > So, finally my question: in his elaborate analysis and classification of 
> > ecstatic spiritual states, such as sāttvika-bhāvas and sthāyi bhāvas, is 
> > Rūpa again applying to Kṛṣṇa-bhakti an analytic system that already existed 
> > for the analysis of non-Vaiṣṇava, or even Vaiṣṇava, literature? Or was the 
> > technical analysis of ecstatic states an original contribution of Rūpa? I 
> > ask because I suspect that once again Rūpa may have been applying to 
> > Kṛṣṇa-bhakti an analytic system already current.
> >
> > Many thanks for any help with this!
> >
> > Howard
> >
> >
> >
> > _______________________________________________
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> > [email protected] <mailto:[email protected]>
> > https://list.indology.info/mailman/listinfo/indology
> >
> >
> 
> 
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