Movie business seeks a solution to online piracy

By Chris Baker
THE WASHINGTON TIMES

http://www.washtimes.com/business/20050324-103729-9642r.htm

The film industry will suffer if it does not make movies available for
people to download from the Internet legally, Hollywood's top lobbyist told
editors and reporters at The Washington Times yesterday.
    "We would be foolish not to actively engage new technology. ... The
public is going to demand more hassle-free, legal, cost-effective
entertainment," said Dan Glickman, president of the Motion Picture
Association of America.
    The studios are experimenting with video-on-demand services that make
movies available online legally. But none has matched the success Apple
Computer Inc. has experienced with its ITunes service. It has sold more than
200 million songs since its introduction two years ago.
    Movielink LLC -- a joint venture involving Paramount Pictures, Warner
Bros. and three other studios -- offers films that can be downloaded and
viewed on a personal computer at prices that range from $1.99 to $4.99 per
movie, according to its Web site.
    Another company, CinemaNow Inc., has a library of about 1,500 titles
that can be downloaded for a single viewing or through a "download to own"
feature that costs about $20 per movie for the newest titles.
    The association, which represents the major movie studios, has filed
three rounds of lawsuits against online bootleggers since November. More
lawsuits are possible, Mr. Glickman said, but he did not offer specifics,
saying the situation is evaluated on a month-to-month basis.
    An association spokesman declined to state the number of suits it has
filed.
    Piracy costs the studios about $3.5 billion annually, according to the
group's estimates.
    Most bootlegging occurs when people sneak camcorders into theaters to
tape movies off the screen and sell copies on the street, Mr. Glickman said.
    But Hollywood executives are increasingly concerned about people who
trade illegal copies of movies through online file-sharing services as the
technology improves, he said.
    The association does not break down the percentage of piracy that occurs
through traditional bootlegging versus through file swapping, a spokesman
said.
    By suing pirates, the studios have borrowed a page from the nation's top
record labels, which have sued about 9,100 illegal file-swappers since 2003,
settling with roughly one-quarter of them.
    Some of the movie industry's suits have been settled, Mr. Glickman and a
spokesman said, but they would not provide an average settlement amount.
    Mr. Glickman acknowledged that the recording industry experienced a
public backlash when it began suing bootleggers, many of whom were youths.
    "There's no question they ventured into fires where clearly they got
singed," he said.
    It isn't clear if the movie industry's lawsuits have deterred piracy,
but Mr. Glickman said the lawsuits were needed. He compared the association
to the Internal Revenue Service: The tax-collection agency continues to
audit people, even though it is only able to identify a small percentage of
cheaters.
    "We've got to enforce what rules there are," Mr. Glickman said.
    The entertainment industry's fight against piracy will move to the
Supreme Court Tuesday, when justices are scheduled to hear arguments in a
case that could help define the boundaries in online piracy.
    The entertainment industry wants the court to overturn a lower-court
ruling that said Grokster Ltd., one of the most popular file-sharing
services, is not liable for illegal downloads done with its software. 



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