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Rev Judy Redman
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-----Original Message-----Curses on you Tom Stuart! Not only have you again mentioned the name of the Prohibited One, but also you have enticed me to read one of her columns all the way through. Egads!
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]On Behalf Of Stephen Webb
Sent: Thursday, 15 April 2004 2:02 PM
To: Tom Stuart
Cc: 'insights'
Subject: Re: What's happened to Miranda Devine
I gather she either is a fan of Mel and/or his film, or she just likes having a go at the types who have some problems with the film.
And now having seen it (after having read a lot about it http://nsw.uca.org.au/news/2004/passion-of-christ-links_16-02-04.htm) having been dragged along with the family of the Executive Director of our Board of Mission on Good Friday (she's the executive director most of the time, not just on Good Friday) I think I'm in the Prohibited One's line of fire: I thought it was boring, pointless and poorly made.
She says: the "anti-Semitic line became difficult to sustain, unless one were to damn all Christianity". And her point is?
She says: "Then it was too violent (from critics who appreciate the violence of a Tarantino film)." The thing with Kill Bill, just for instance, is that, like The Passion, it's pretty much a blood-fest from whoa to go. But there's so much (unrealistic) splatter it's meant to be funny (in a recognition of other ridiculous films kind of way). But the monotony of the Passion's violence isn't intended to be amusing. At least humorously. There probably are people who would be amused/entertained by it. But The Passion verged so close to the ridiculous it was Pythonesque (if you see the film again look at the loonies dishing out the flogging and try no to think of Terry Gilliam) in a Tarantino kind of way.
My mother (a professed agnostic) saw it with a friend and they both thought it was ridiculous because no-one would have retained consciousness under that onslaught. My suggestion that Jesus was God so he could retain whatever he wanted didn't wash with her (and nor should it).
I hadn't wanted to see the film because I thought it would be so realistic that I (a renowned loser of consciousness at the glimpse of real blood) would pass out. As it was my only lapse into unconsciousness was a wee nap near the beginning. I only winced when the nail went into his ankles. The nail into the robot hand did nowt for me. Especially when I could see a real nail driven through a real hand on the news later that night. And what about the blood running from the pierced hand (how much blood can you get out of a hand anyway?) down through the six-inch nail-filled hole in the cross and out the other side! Seriously! And explain the physics of the body nailed down at both ends but not slumping out at the middle when the cross is turned over (just to rub Yeshua's face in the dirt one more time)? Velcro? Super glue? Robot?
I suspect a good director would have cut from the flogging scene when the metal hooks ripped the wood from the leader's table. Imagination could well and truly have had play and the film could have gone somewhere more interesting. For instance, a better attempt to give us more understanding and make us more sympathetic toward the poor bastard covered in congealed blood..
I reckon the film would make one question one's faith as much as reaffirm it. If you bothered you could go back to the Bible and pick out all the inconsistencies/inventions in the film. But then you'd notice some of the inconsistencies in the Bible.
What I want to know is why the risen Jesus offered the holes in hands as proof of his identity when, if the wounds remained, he could have proferred his lacerated, one-eyed face, and fleshless back.
It's all your fault Tom Stuart.
Stephen
Tom Stuart wrote:
Sorry Steve, this is the second time I have mentioned that prohibited name! ;-)
http://www.smh.com.au/articles/2004/04/14/1081838789913.html?from=storyrhs
Tom
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